I was going to write about this on facebook, but I was just too damned scared.
I don’t write about provocative stuff much any more because I simply can’t handle the horrible emails, comments and hassling. Yeah, fuckwits, you won this round.

But I take my revenge by being a confident, capable woman working with other women to make safe dance spaces.

One of the reasons Blair is not called to account is fear. I interviewed a number of people in the course of researching this article. Almost all of them warned me about what would happen if I went ahead. Some were too afraid to go on the record about him because of the reaction it might incur. I was told that he would go through my social media photos, searching for images that he might be able to use to shame me, as he did with Clem Bastow. He would go back through all my published articles to find things he could misrepresent or misquote. That he would post about me and I’d be attacked on twitter and by email with vicious personal slurs. I understand this risk, fear of being trolled means many people remain silent about what he is doing. This is a problem, not for him, but for journalism (Jane Gilmore Bat Country for Old Men)

It’s worth noting that if you’re a woman commenting on racism or sexism or homophobia in the lindy hop community in a public forum, you’ll end up with a rash of fairly horrible comments, emails, and messages. We like to pretend that we are a lovely fairy floss community, but as Montreal’s recent troubles, various black face routines at international dance competitions, and reports of sexual assault in lindy hop scenes demonstrate, the dance might be happy, but the dancers are as likely to behave badly as non-dancers.

This is why I have a very strict comments regulation policy on my own blog, and I will not respond to unpleasant private messages on facebook. I also make liberal use of the block button, and delete comments without explanation. Every time I write about issues of gender on my blog I get a whole raft of aggressive and occasionally frightening comments from lindy hoppers, so I have no interest in providing a public forum for abuse.

It’s also important for lindy hop aggregators to think about how they present provocative links on their own blogs and facebook pages: they’re channeling traffic to a site which usually results in one-off visits and drive-by harassment. I get the nastiest comments when big name dancers or aggregators link up my blog with provocative framing.

 

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australian acrobats 1890s

 

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linky

 

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mid-centuria

 

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Mabel Frances Layng (English artist, 1881–1937) Tea Dancing c 1920

(Mabel Frances Layng (English artist, 1881–1937) Tea Dancing from here)

 

I dunno where I found this.

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via mindlessmunkey