Women of colour respond to white appropriation of the margin(alised)

Yassmin Abdel-Magied’s piece ‘I walked out of the Brisbane Writers Festival Keynote Address. This is why.’ is being linked up a bit in my book-friend circles, with emphasis primarily on Shriver and the topic of the piece. But I’m mostly interested in how the author got up the guts to walk out of this talk in such a public way. It’s essentially a marginalised woman ‘speaking up’ in a white elite space. It’s an act of bravery.

Breai Mason-Campbell’s talk ‘Dancing White: Race, America, and the Black Body…’ was linked up in a dance group last night by Ana├»s, and something about it reminded me of this keynote article. I think it’s Mason-Campbell’s highlighting of the literal framing and display of OGs* at a dance event. It’s very much like the framing and display of marginalised folk in Lionel Shriver’s keynote.

And both pieces are by women ‘speaking out’ about the appropriation of POC’s bodies and minds by people in power for their creative work. In one case the ‘speaking out’ is non-verbal and in the other it’s after the fact. Both of which reduce the ‘danger’ of these acts for the women.

But these two pieces together are making me think and rethink very carefully my approach to OGs in the modern lindy hop scene. Part of me wishes we did ‘acknowledgement of traditional custodians’ at the beginning of every dance event. And that we asked our OGs if they wanted to do a ‘welcome to country’, and if they didn’t, we didn’t go ahead.
*(Original Groovers)

Mason-Campbell’s talk (start at 37.20):