probably too long and definitely unfocussed

There’s been a bit of a scuffle going on around the Golden Bloggies lately (you can read an installment on LP, and I have to confess, I have mixed feelings. I tried to read up on the awards on the official sites, but lost interest fairly quickly (mostly because I couldn’t find the rules or the list of entrants or understand what was going on). I heard about these things first from Mz Tartan, then nick cetacean, then from some other people on some other blogs (I can’t remember where or when – it was over christmas and I was busy).
I’ve had a look at a few of the winning posts (there were a bunch short listed, and they’re being reposted over the next bit of time), when they’ve been linked to by other people, but mostly I’ve not bothered.
I think it’s because I’m not really sure there’s much point in a bunch of awards for blogs.
Frankly, the thought scares the living shit out of me – I really can’t stand the thought of there being people out there reading this mass of dance-nerdery and recipes (the swing dancer alternative to photos of cats, unicorns and purple cursive font action) and assessing it seriously. I read and write for a job, and for me, a blog – this blog – is a chance to just write and write and write and write and not edit (I just write into the box on movable type here – that’s why I have so many typos. Sometimes I go back to fix a post with masses of horrible mistakes, or to fiddle with layout). I can just write down a bunch of crap, add in a picture (if I can be bothered), click post and then walk away.
Writing here is a chance for me to write crap that has no real point, isn’t developing another point, and doesn’t necessarily make any sense. I like just floating ideas without citing sources or supporting arguments. I prefer posting here on my blog to participating on discussion boards, because here I have complete control and can just delete the comments made by people I really can’t fucking stand who give me shit on other online spaces. I love that delete button.
I like writing here because it’s a chance for me to keep my writing hand in when I get all blocked on my work writing. There’s nothing so debilitating or distressing to someone who’s job is all about writing, or for whom their entire working self is all about writing than to suddenly find they can’t string a sentence together. During those moments when I’ve gone back through a day’s worth of work and thought “Holy shit, I frickin’ suck. What the FUCK am I doing?”, being able to just open a tab of Movable Type, blurt out a bunch of ramble and then move on is WONDERFUL. And it’s because I know this writing is just for fun, I don’t get all blocked, and I don’t worry about whether or not this post is good enough for publishing, and I don’t try to write about things other people will find interesting and I don’t try to impress people. I write as if no one was reading. Ahaahaha. That’s a lie.
Sigh. Sometimes I do, anyway. Mostly I treat this as a chance to work through an idea I’ve had. That’s where all that dance stuff comes from – I have to articulate these ideas, and goddess knows I don’t see another postgrad/person-formerly-known-as-postgrad from one semester to another, so I need to do this this way. It’s a really useful process for me – creative, constructive, low-stress.
I could, I suppose, just write all this in a file and leave it on my desktop. Or I could keep a proper journal. But when I’m writing here on the internet, I feel like I’m writing as if there could, one day, be someone reading this. Not many someones – maybe just two, if I’m lucky. One of those will be The Squeeze, out of duty. And the other will be another googler looking for pictures of Dennis the Menace. So I have to try, at some level, to explain my idea. Or to write as if I was writing an explanation.
I think I’ve contradicted myself here quite a bit. Ah, fuck it.
But here are a couple of things I wanted to write about, in regards to this whole Golden Blogs thing (you know, I’m actually having real trouble writing today. It’s fucking hot, I’m sitting here riddled with hormones and trying not to think about the paper I’m trying to edit).
Mark on LP, using skepticlawyer’s comment, pointed out that Tim Blair doesn’t like ‘I’ in blog entries.
I can’t fathom that. Nor can I go on to read the comments in that Tim Blair post – play nice, kiddies.
That sort of action is the reason I don’t like to read conservative blogs. Blogging is meant to be fun (and blogging = writing blogs, reading blogs, posting on blogs, receiving posts on one’s own blog), and I really don’t need to read that rubbish. Head in the sand? Up my own arse more like – I prefer my own company to hanging out with meanies.
I don’t really understand how these doods can on one hand revile the use of ‘I’ and personal anecdotes on a blog, and yet also hoe in with incredibly aggressive personal attacks (mostly in comments it seems – I guess comments are the ‘less formal’ bit of blogging, huh?). It seems a bit contradictory to me.
I wonder if, perhaps, this insistence on no-I-word and less-on the ‘personal’ stuff is a manifestation of the idea that we should keep personal stuff out of the public sphere?* That the private should be private, and the public… I was going to make a joke about public assets and Telstra but can’t. It’s too hot.
This whole issue strikes me as odd, as blogging seems one of the most personal spaces or modes of address or whatever (look, it’s frickin’ hot, ok?) on the internet. If we remember the roots of blogging, we’re talking home pages. Home pages.
The Squeeze is reading Where Wizards Stay Up Late: the Origins of the Internet, which contains this little gem:

Rumours had persisted for years that the ARPANET had been built to protect national security in the face of a nuclear attach. It was a myth that had gone unchallenged long enough to become widely accepted as fact. Taylor had been the young director of the office withn the Defense Department’s ADvanced Research Projects Agency overseeing computer research, and he was the one who had started the ARPANET. The project had embodied the most peaceful intentions – to link computers at scientific laboratories across the country so that researchers might share computer resources. Taylor knew the ARPANET and its progeny, the Internet, had nothing to do with supporting or surviving war – never did…
Lately, the mainstream press had picked up the grim myth of a nuclear survival scenario and had presented it as an established truth.

I’m not sure how reliable this book is (though it seems better than most of the bios of the internet and computing getting about), but this point really caught my interest. I’d only ever heard the story where the internet had been invented as a way of localising US military computer resources and information, so as to avoid complete obliteration if one, centralised site was hit by cold war missiles. This alternative story really warmed my spirit ( :D ). It’s so much nicer to think of the internet as doing what we bloggers do with it – share stories of our everyday. So my everyday doesn’t include much talk about electronic switches and mainframes and hardware (so to speak), but it does have a whole bunch of fairly specific knowledge and practice which I can’t really share with every person in my life. It’s pretty specific stuff, and the internet gets me in contact with other people who share that particular discourse. And what could be nicer than finding a bunch of like-minded people with whom to share this stuff?
So the internet’s very purpose was to facilitate the sharing of knowledge and individual people’s social networking. Basically, the internet was designed for nerds to talk crap. Right on!
With that in mind, as Jeff Beck points out in a gentle observation about the Golden Blogs,

A few of the posts are worth reading but most are tedious, self-indulgent bullshit from self-important lefty academics. If this is the best the blogosphere has to offer, it’s fucked.

And that’s entirely the sort of sex I like. Really, we don’t use the word ‘blog’ for nothing: long and boring. It’s nice that people have high hopes for the internet (I, too, like to think that somewhere out there someone is tapping out a ream of Great Art or Important Contribution), but I think it’s ever so much more interesting to think of all the ordinary things people are doing with the internet out there in their bedrooms and studies and workplaces and classrooms and loungerooms. And it seems a bit silly to me to pretend that the internet has no domestic or private or everyday elements, when it is being made on people’s laps on couches all over the world (or desks or kitchen tables or wherever). Though, it could be fun to imagine, just for a minute, that I’m wearing a suit and glasses, my brow furrowed with concentration and Serious Thoughts, rather than sitting here in front of the fan in my bedroom doing a little nuddy typing and considering running to the fridge for snack before I cruise Youtube for more hawt lindy prn.
So I guess I do have one problem with the Golden Blogs. When I read, for example, ducky’s entry in Online Opinion, I was struck by the way reading this post out of context stripped so much of the meaning out of it for me. When I first read that post on duck’s blog, I’d been wondering where she’d been for a while. I’d been reading her blog for a while, sucking up the bits of her life she put online. For me, ducky’s story meant more as a chapter in her ongoing blog/life than as an isolated moment re-contextualised in an awards series. When I first read it, I teared up and suddenly wanted to do something for ducky, even though I don’t know her, have never seen her, and would probably have felt really strange talking about this with her in person then. The first sentence,

Some of you may be wondering why I haven’t been writing more about progress on my letterpress project and my arts grant.

which Tim Blair picks out as his special favourite in a list of ‘dreaded I’s’ means so much more when you have been keeping in touch with ducky over the past year or so. We’d read about her grant and been pleased and excited for her (yet also understanding the new challenges of the project). We understood that she was a big printing nerd and thought letterpress(es?) were the best things since sliced bread. For us, to not hear about a bit of ink-and-tickle was an indication that something was amiss. Or that, perhaps, there were other more important things going on in her life.
I think that Tim Blair has missed the point with this derision – he hasn’t understood that ducky was pointing out that her everday life had been interrupted, that the sorts of things that consumed her everyday had recently been pushed aside. That suddenly printing wasn’t at the fore of her mind, and her priorities had shifted.
It worries me that Tim Blair might be so profoundly lacking in empathy that he could read duck’s entry and not see it as an important bit of writing about something very important to duck, and through their assocation with her through her writing, to duck’s readers and online friends.
But then, thinking about it, I wonder if this sort of response was encouraged by the out-of-context-ness of duck’s post on Online Opinion. I remember being moved by the everyday language of the entry when I first read it. I was far more affected by her ‘normal’ tone than I would have been by wailing and gnashing of teeth. When she wrote

Lying on a bed crying just feels like I’m indulging myself too much. I know, go figure. It’s not like I don’t indulge myself in other ways.

On the one hand I thought, ‘you silly – of course it’s not being too indulgent’, but on the other, I thought ‘I know what she means’.
I had this feeling that she was somehow kind of suspended in that space where you move between uncontrollable crying, where you just don’t have that conscious control of your mind and body – it’s like the emotion and the sheer physical experience of that emotion have opened up a clearway to the rest of the world. You wouldn’t normally shed a tear in public, but you suddenly find yourself with snot and tears all over your face. You’d normally try to keep it together for the sake of your family who are also worried. So lying on a bed crying does feel like indulgence.
Because I had been reading her blog for a while, I was most moved by her bravery and trying to keep it together, but then I was really touched by this bit:

Actually, I’m telling this tale at this point in time because tomorrow morning at 10.00am I’m going under the knife to get Wellsley Giblet (see, we’d nicknamed it already!) scraped out.* And I’m scared. I want lots of blog-reading good vibes to steady that surgeon’s hand and keep me safe. Last time a stupid doctor perforated me three times, and I bled for two months. This is a different hospital, a more experienced doctor, but the same soft mutant fibroid-filled womb. It should only be a day-visit, and I should feel better in a day or two. If all goes well.
Wish me luck.

. It’s the way duck moved from bravery and clever writing and a touch of humour to suddenly admitting – I’m afraid. I’m afraid of being hurt, of things out of my control. And I just want you wish me good luck.
And I don’t know about the rest of the people reading duck’s blog, but I was wishing her all the good luck, hoping someone would hold her hand and tell her it was all going to be ok. Reading the comments on her original blog entry, you can see that I wasn’t the only one. But when you read the entry out of context, you don’t see all that rallying-round. All the people holding hands for duck and thinking of her. Not in the sort of in-your-face way we would have in person, but in the more manageable way the internet does it.
And when you’re reading that post on the Online Opinion site, you don’t see the ‘textbreak’s duck inserted through her original post, which I read as big breaths, or clear pauses, or literally, breaks in the text. And the fact that duck is a printer, who is all about the mechanics of words on papers, a text break, in her font, lent weight to the pause. Then, of course, when you’re just reading that one post on OO, and you haven’t been reading duck’s blog, you’re not reminded of the follow-up post, and this line, that stuck in my memory:

To his absolute credit, there is no pressure from BB’s side. He and Bumblebee have been seriously scared on both these occasions (more so last time) and they keep insisting that it’s totally my choice whether I want to go through it again.

This bit sticks with me because it so nicely sums up the complexities of wanting children, not wanting children, having a child whom you love and adore, a partner who loves and adores you, and perhaps most importantly, a child who loves and adores you as well. I think I was most moved by the BBs’ worry. I don’t know where they stand on duck’s resolving all those issues of body and work and motherhood. But they’ve definitely got duck’s back.
That whole follow up post, with the discussion of having children, when to have them, how to have them, the physical experiences of pregnancy and all of that – all of that is what goes in to deciding when and whether to have a child. Abortion and contraception and children and bodily health are all things that pop up a lot in the blogs, and in the month following duck’s post there’s been a few posts about motherhood by women who read duck’s blog.
That sort of trickle-on effect of a really good blog post can’t be indicated or measured in blog awards thingy which cannot map the temporal (as well as ‘spatial’) relationships between individual blog posts, posts on a single blog, posts cross-posted between blogs, between blogs, between blog authors, and so on and so on.
All of that talk about ampersand duck’s post has suddenly made me feel uncomfortable – I don’t know if I like taking apart ‘someone’ and their feelings like that, and I guess that’s the kernel of my argument: this is emotional and personal, domestic and private writing. Blogging isn’t always, but when it’s part of your everyday, when you engage with it by commenting and writing your own posts as well as reading (not to mention the emailing and snail mailing and face to face catch ups), it’s not just words on the internet. So why should it always be calm and cool and detached? Why shouldn’t I be in the words as well?
I’m not saying that everything we write or read on the internet should be emotionally loaded. Sometimes it’s nice to read or write a bit of cleverly cool and detached academic writing or a bit of well-crafted mass media. But social networks are complicated. We don’t ever leave our own persons behind when we write or read. We are always there, there is always a body in the net (to quote Katie Argyle and Rob Shields**). So why pretend that there’s not?
*I can’t be bothered revisiting Nancy Fraser and the feminist stuff on the public sphere, so just imagine I did, ok?
**Argyle, Katie, and Rob Shields. “Is There a Body in the Net?” Cultures of Internet. Ed. Rob Shields. London: Sage, 1996. 58 – 69.
Tim Blair didn’t think there were enough links in the winning OO blog entries. Does citation like this count? What is the importance of linking? Is it citing sources? Or would he like to see more text on cats? If he was a lindy hopper, I just know he’d like to see more of this hawt shit.

quick film recommendation

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We went to see The Prestige at the Astor (a double session! What excellentness!) and it was GREAT. I mean, it was AMAZINGLY GREAT. If you can get to this before it goes off the cinema (good luck), do so immediately – it’s really worth it for the mood of a big screen. And this film is all about spectacle, so it’s worth it.
Will write more when I have more time.

monster rabbits

Remember this fuzzer?
Apparently he’s become a bit of an international celebrity. The breeder, not the bunny.

An east German pensioner who breeds rabbits the size of dogs has been asked by North Korea to help set up a big bunny farm to alleviate food shortages in the communist country. Now journalists and rabbit gourmets from around the world are thumping at his door.

Read the entire article here.
I can’t imagine an 8 kilo bunny. That’s fricking HUGE.

round up

Just in case you were wondering why I’d suddenly gone all boring…
I’ve been very busy writing a paper for a media convergence collection/special ed of a journal/thingy. So I am making a really crappy rough draft at the moment. Soon it will be beautiful, but before it’s beautiful, the editing will be horrible. I really enjoy writing (when I’m not all blocked) and write very quickly, so I feel like I’m accomplishing. I do not, however, write good first drafts – I need to edit and edit and edit and edit to make it look nice.
This paper, briefly, is about the AV stuff in my thesis. I’ve added on a nice bit about youtube, which was very exciting – youtube has made major changes in the world of online dance clips, and the whole ‘free’ and ‘easily accessed’ thing, as well as embedding clips in blogs and the sheer, wonderful quantity of obscure footage uploaded to the site make it a fabulous resource for dancers. It’s also made some interesting changes in the economy of clip exchange in the swinguverse (to a certain extent). I’ve added a bit about the Silver Shadows stuff I wrote about in this entry, as it makes for a really nice example of the sorts of things I’m talking about. Not to mention the whole convergence thing.
I still haven’t done the ‘guest’ post. But at least I’ve had some ideas. Once I’ve gotten this convergence paper done, I’m going to write something about radio and swing dancers. Now there’s a bit of convergent action. I’m especially interested in the way the Yehoodi Talk Show used video podcasting (a visual element to its radio podcast) in the last edition. That’s some awesome shit. Especially as they spent a fair bit of that podcast watching video clips they’d found on youtube, google movies, etc. Talk about nice timing. It all flows on nicely from my stuff on DJing and uses of sound/audio technology there.
I actually had a paper in the latest edition of Continuum if you’re interested in reading some of the sort of work I’m doing. It’s actually a refereed paper from the CSAA conference-before-last and I’m not actually convinced it’s much good. I know I’ve written better. Hopefully this paper I’m doing now will be nicer.
…ok, so the other thing I’ve been doing is working on this. It’s still looking fairly crap, but I do like the way it’s going. I’ve not tested it in anything other than Safari (bad me), so if you’re using Internet Exploder – sucked in! I doubt I’ll ever actually do anything with this site once it’s done (despite it’s fairly high hits when I was running it more regularly), but I do like a bit of focussed web design. Viva la css!
Anyway, doing a little work on that this afternoon (paper in the morning, coding in the afternoon, then a mandatory tranky doo break in the late afternoon), I came across this thing on aural style sheets in the W3 website.
It caught my attention as I’d recently read Barista’s entry on deafness stuff and my interest was caught. I’d read another comment on Barista’s blog a while back about accessability, and I guess it’s just been percolating in there for a while. I’m a bit strict about accessability (to a certain extent) because living with The Squeeze has made me aware of things like colours and how underlining links all the time is actually very important for colour blind people. Or even people who see colours in different ways.*
So the thought of styling websites to make them more accessible for people who use screen readers…!
I will read more about it and report back later. Meanwhile, if you know anything about this or have any ideas, points, please do drop them in the comments.
*The Squeeze actually bypasses all this shit by just reading the internet on his feedreader. Except when he’s looking at photos.

it’s difficult to not think ‘oh, this Basie song would be good here’

It’s always difficult DJing for a crowd of lindy hoppers on a very hot night in a very hot room. Especially when they’re Melbournians, who tend to forget how to deal with hot weather, even though we have really hot summers. I think it’s all the rain and wind and cold in the winter.
But last night I was up for the first set, and over the course of yesterday revised my loose plans for the set. I had a quick look through my slower stuff – I knew I wouldn’t get terribly high bpms – but reminded myself of my favourite highenergy, fun slower stuff. Just because you’re playing slower music, don’t mean you should let the dancers get too lethargic. My goal was to keep the energy up so the dancers continually felt like they really wanted to dance fast and crazy. I wanted to build them up gradually, kind using the smaller wave idea, not only in terms of tempo (where you move from slower to medium to faster stuff in a general progression) but also in terms of mood (where you build up the energy and excitement, then quieten it down, progressively). But at the same time as I was working on these shorter waves, I also wanted to work on a broader, ‘big picture’ type wave, where I was gradually working up the energy in the room, even though I was giving them rests with the down parts of the mini-waves. It worked quite well, I think.
This was the first set, as I’ve said, and that means that the crowd was largely beginners from the class (though not super-beginners – more people with some lindy who’re loving dancing, but can’t quite hack mega tempos or really complicated melodies and rhythms yet). The more experienced dancers came in about a third of the way through the set, and that always builds the energy in the room, in part because their example invigorates the newer dancers watching them, but also because they really use the music (meaning, they’re beyond just thinking ‘move-move-move’ and can build in extra responses to the music within a move). Newer dancers can hear this stuff, but they don’t often have the physical ability to make this feeling flesh).
I do find, though (unfortunately) that the newer dancers tend to cede the floor to the more advanced dancers as they feel a bit intimidated. I guess that’s one aspect of a scene with more advanced dancers, but it’s also one of the less pleasant parts of the Melbourne scene – there’s a very clear heirarchy enforced by the system of performance troups, competitions, teaching cadetships and teaching roles, and of course, the supporting emails, websites and other assorted media and discourse. Nor do many of those more experienced dancers work to undo that heirarchy by asking newer people to dance.
So you can see on the set list below that the more experienced dancers came in at about Everyday I have the Blues.
There were a couple of eggs in there – If it don’t fit don’t force it just sounded shit on the sound system. CBD sucks arse – all my piano-only or sparser arrangements end up sounding like shit. It has to have a big, full orchestra to fill the room. I do not know why – I try to fix it with the levels, but that doesn’t work. I guess I need to get onto the whole equaliser thing, but…
I really wanted to play a bit of Jay McShann after I’m just a ladies’ man man by Witherspoon, because I liked the way Witherspoon’s dirtiness responded to Barrel House Annie’s crudeness, and because they’re both kind of solid, uptempo blues tracks – good stompin’ dancing fun. Witherspoon also got his start singing with McShann’s band, so it seemed appropriate. I did want to play a bit more McShann, as he passed away recently, but the little section kind of faltered with the poor quality. I’m just a ladies’ man did go down really well, though.
I pulled a few stunts during this set… stunts, as in DJing tricks. I played some old favourites, speckled through the set. These included Blues in hoss’s flat which we haven’t heard in a while, and which was overplayed earlier this year (mostly by me), Shout Sister Shout (whose unnoticed vulgarity and double entendre work really pleases me and seemed a good lead in to If it don’t fit), Be Careful (even if you can’t be good) which was me having a joke with myself – it’s an old favourite, I regard it as a ‘safety’ song as it’s good quality, is good, easy dancing (and has some nice musically bits), but I really like the synchronicity of the lyrics (“be careful… even if you can’t be good). This track is also edging into jump blues/early rock n roll in 1951, which kind of worked as a musical progression from the styles of the previous songs (a sort of timeline of the development of blues to rock n roll) – a point only a supernerd DJ would care about, but which actually works really well with dancers, as it leads them naturally between styles, rather than sort of dumping a nasty stylistic shift on them.
I wanted to get to Six Appeal, which is a Campus Five song I’m busily overplaying, and have noticed goes down really with dancers, and figured Shoo Fly Pie (another song riddled with overlooked inuendo) was a nice step. I had toyed with playing the Campus Five version of Why don’t you do right (the ‘Jessica Rabbit song’), but that’s too low a tempo and kind of kills it. Six appeal is more fun anyway.
I really like the way Campus Five play that older, echoes-of-Orleans style in Six Appeal – I think it’s the trumpet and the clarinet that make me think this way. Plus the odd bit of interesting percussion/drum work. From here the obvious choice seemed Bechet – he’s got that revivalist trad jazz sound that still swings. And Blues my naughty sweetie gives to me is very popular with Melbournians today so I figured it was a good choice.
From there, I had to play Joshua fit de battle of jericho as it really develops that New Orleans sound, and I really like that combination of songs. I like the way Blues my naughty sweetie works the crowd up, energy-wise with the stompy piano/base, but adds in a bit of sauciness with the trumpet (no, it’s not Louis Armstrong, though I always think it is). This song is great. It kind of feels like Western saloon honky tonk, but with a bit of saucy (and terribly cool) bluesy swing to give it a sense of humour. When the clarinet comes in (it could be a sax – I can’t be arsed checking), its work with the trumpet really lets you know where the naughty is at.
And Joshua really takes up the energy blues my naughty sweetie has been gradually building up and works it up a level – kind of the climax, really. Though it depends on the crowd. This combination of songs has gone arse up for me in the past, but the mellow tempos and the general vibe was working with me – I think the Campus Five got people in the mood, in a less confronting, twenty first century way, which made people more amenable to the quite-in-your-face yelling and shouting and almost unswingness of Joshua.
I’m generally not a big fan of Jesus songs (I do not like Wade in the water, for example) but Joshua seems a little more irreverent – I think funeral march rather than baptism. Kind of the way Lavender Coffin (another crowd pleaser I dropped in earlier to score cheap points) does. It’s about death and martyrs and saints and the bible, but in an old testament way. Kind of gloriously bloody, and with a bit of gospel-as-used-by-African-American slaves – a bit of tactical resistance from within an institution, where you know dark humour is the flip side of that slap stick clowning for the white folks.
Of course, Jericho has some sweet trumpet and clarinet as well. And you really feel like stomping along with this song – it has a nice, stompy rhythm. The ‘improvised’ bit at the end feels nicely chaotic and wild, but still purposeful and organised (if that makes sense).
And then I rounded it off with Ridin’ on the L&N, which I love dearly – I love the lyrics in these Hampton track (fuck, I LOVE Hamp more than anything – no one does stompy, going somewhere rhythms like him):

A man named Mose,
With (was?) a great big nose,
Was sleepin’ on a pile of clothes,
Conductor came and rang the bell,
The porter hollered ‘well well well’
I’m riding,
Riding on the L & N
Ain’t jivin’
Riding on the L & N
So long!

I did play this song particularly for a couple of balboa nuts I saw just getting into their groove with Jericho, and I know this song goes down well with balboa doods. That wide-handed piano and driving rhythm pleases them. I had considered Bei Mir Bist Du Schoen, the version by the Goodman small group (which features Hamp as well) with Martha Tilton, but that’s a little light and tinkly and I was getting a bit of a stompy groove on.
Basically, I wanted something with that ‘building up’ feeling, to work on the existing energy, but not a crazy all-out speeding lindy hop track. It was too hot, and I didn’t want the dancers spent on a track just before the end of my set – I wanted them all hot and ready and worked up.
Savoy Blues brought the tempos down again, but got all the less experienced (and post-christmas indulgant types) back onto the floor. It’s a song that’s kind of getting pretty popular, I love it (Kid Ory again, though a later period I think (at least a later feel – I don’t have the date for that song unfortunately)), and it kept up that stompy move yo ass! feel.
People were pretty much going nuts in that last bracket, which was impressive, as they’d not been able to hack a lot of pounding earlier on in the set.
That version of Splanky was a birthday dance, and was right for the people dancing in the circle.
Overall, it was nice to work from the enthusiastic newer dancers to the old sticks who can be much pickier, but can like a wider range of tempos and styles (if I’m lucky – depending on the crowd). Those newer doods just love to dance, and for whom I like to play some of the old faves, or play the better quality stuff so they can really hear swinging jazz at its best.
[rant] I do not, at all, in any way, subscribe to the idea that we should play neo swing for new dancers. That stuff sucks arse for dancing, doesn’t swing at all, and encourages bad dancing habits. It’s technically pretty poor musicianship (for the most part), and I refuse to add any to my collection. Beyond that, it’s more the case that people take up swing dancing for swing music and the influence of people like Jamie Cullen and (sigh) Robbie Williams than Royal Crown Revue or Cherry Poppin’ Daddies.[/rant]
I began with the Campus Five because I quite like that song, I needed something hifi and safe to test the set up before I got hardcore, and because it feels like the band are kind of ‘testing’ a melody, over a solid, obvious beat – good stuff for a warm up dance. I played Jump Ditty then because I’m very fond of it, even though I suspect that cooler types than I think it’s naff. And it always goes down well with a crowd of newer dancers – it feels like fun. The lyrics are a good thing – I’ve found that dropping in vocals is a good idea with newer dancers.
I played Massachussetts because it feels really swingy and gets me in the mood for dancing – Maxine really swings, and yet the rhythm is really clear and swingingly nice. It’s a nice bridge between the groovy and the solidly swinging old school. The musicians are top notch, and as a smaller combo, you can really appreciate each instrument individually. Unfortunately, everything on this album sounds like shit at CBD – all base and treble. Even when I up the mids. I think this is indicative of the problems with CBD generally – you lose definition in the middle range. And it SUCKS. I will work on learning how to fix it.
I like B Sharp Boston a whole lot, hi fi Ellington, feels like it’s going somewhere, kind of sassy. Still a good warm up song (ie not too challenging or fast or scary), but really great, musically. Blip Blip was a crowd-pleaser, and because I was thinking of Ellington (he did a great original version with Ray Nance on vocals before this Ella one). Slip of the lip sounded like arse – same problem of too much high, lows… but I think it’s indicative of many of the Ellington recordings I have from this period, only made worse by CBD’s system. It’s a shame as it’s a really fun song. Too fast for that crowd in that temperature at that time of night, though. So I went back to hifi (a safety strategy), with the wonderful Jive at Five, then thought I’d follow with a Basie track by a big band other than Basie’s orchestra. Which was a good thing, as I then played two Basie tracks in a row – two very safe, crowd-pleasing favourites.
But really, Basie makes for such great dancing music, it’s difficult to not think ‘oh, this Basie song would be good here’ – his stuff is so varied, so swingingly great for dancing.
After all that DJing, I tried to dance like a fool, but the temperature, post-christmas fatness and unfitness and so on prevented. Needless to say, riding home was difficult.
Fuck it was hot yesterday (and my laptop is burning my legs now!)
Oomph Fa Fa – Jonathan Stout And His Campus Five- 129 – 2003 – Jammin’ the Blues
Jump Ditty! – Joe Carroll and The Ray Bryant Quintet – 134 – Red Kat Swing 1
Massachusetts – Maxine Sullivan – 144 – 2006 – A Tribute To Andy Razaf
B-Sharp Boston – Duke Ellington and His Orchestra – 126 – 1949 – Duke Ellington and his Orchestra: 1949-1950
Bli-Blip – Ella Fitzgerald – 132 – 1956 – Ella Fitzgerald Day Dream: Best Of The Duke Ellington Songbook
A Slip Of The Lip – Duke Ellington with Ray Nance – 150 – 1942 – The Duke Ellington Centennial Edition: Complete RCA Victor Recordings (disc 13)
Jive At Five – Count Basie and His Orchestra – 147 – 1960 – The Count Basie Story (Disc 1)
Easy Does It – Big 18
Every Day I Have The Blues – Count Basie – 116 – 1959 – Breakfast Dance And Barbecue
Blues In Hoss’ Flat – Count Basie – 142 – 1995 – Big Band Renaissance Disc 1
Walk ‘Em – Buddy Johnson and His Orchestra – 131 – 1946 – Walk ‘Em
Back Room Romp – Duke Ellington and his Orchestra – 155 – 2000 – Ken Burns Jazz: Duke Ellington
Lavender Coffin – Lionel Hampton, etc – 138 – 1949 – Lionel Hampton Story 4: Midnight Sun
Drinkin’ Wine Spo-Dee-O-Dee – Lionel Hampton and His Orchestra – 130 – 1949 – Lionel Hampton Story 4: Midnight Sun
Le Jazz Hot – Jimmie Lunceford and his Orchestra – 144 – 1939 – Lunceford Special 1939-40
Shout, Sister, Shout – Lucky Millinder – 140 – Apollo Jump
If It Don’t Fit (Don’t Force It) – Barrel House Annie – 148 – 1937 – Raunchy Business: Hot Nuts and Lollypops
I’m Just A Lady’s Man – Jimmy Witherspoon – 144 – 2002 – Goin’ Around In Circles
Be Careful (If You Can’t Be Good) – Buddy Johnson and His Orchestra – 121 – 1951 – Walk ‘Em
Shoo Fly Pie – June Christy – 128 – Red Kat Swing 1
Six Appeal – Jonathan Stout And His Campus Five – 141 – 2004 – Crazy Rhythm
Blues My Naughty Sweetie – Sidney Bechet – 140 – 1951 – The Blue Note Years
Joshua Fit De Battle Of Jericho – Kid Ory And His Creole Jazz Band – 160 – 1946 – Kid Ory and his Creole Jazz Band 1944-46
Ridin’ On The L&N – Lionel Hampton and His Quartet- 170 – 1946 – Lionel Hampton Story 3: Hey! Ba-Ba-Re-Bop
Savoy Blues – Kid Ory – 134 – 2002 – Golden Greats: Greatest Dixieland Jazz Disc 3
Splanky – Count Basie – 125 – 1957 – Complete Atomic Basie, the

because I am a giant dance nerd…

…I’m also posting this clip of Frida and Skye dancing at the ALHC (American Lindy Hop Championships – a very ‘proper’ dance comp and nothing like the ULHS and other comps I’ve blogged before).
I am very behind – it’s a 2005 clip, and look, we’re all in 2007 now!
This is some awesome dancing – it looks unchoreographed, and really displays Skye’s unusual personality – he and Frida are one scary combination. Scary in an entirely un G-rated way.

the cranky poo

I can now do all this part of the (renamed by The Squeeze in light of recent displays of dancing ineptitude in our house) Cranky Poo:

Well, the whole first 40 seconds of that routine. Then I get confused (it’s not really my fault – we didn’t have the timing solid for the next section when we were learning it). I’m also suspecting that Mike is a bit too ahead of himself in that clip and this one with the amazing Frida:

Now, I could be wrong on Mike’s timing (most probably, considering my wonderful work learning this routine to date), but…
Having said that, he does have lovely arms, and lovely, big movements.
My admiration for this young man is, of course, entirely G-rated.