January 19, 2009

mercy dee walton's Pity And A Shame and mildred anderson's No More In Life

Posted by dogpossum on January 19, 2009 6:05 PM in the category digging and djing and lindy hop and other dances and music | Comments (0)

Finally, my emusic month rolled over, and there was goodness to be had. Unfortunately 50 songs doesn't go that far when you have a wish list as long as mine. At the moment that list is divided equally between spankin' olden days jazz from the 20s and 30s and saucy hi-fi blues from the 50s and 60s. Well, actually, the list is weighted towards the olden days stuff. Because I just can't get enough of the Chronological Classics - it's a little bit exciting to have them available.

Mercy Dee Walton's Pity and a Shame is making me very happy. Hi-fi 60s blues, piano + harmonica + vocals. Kind of sparse instrumentally, but with a big, fat hi-fi sound. Perfect for blues dancing. Also, fixing my need for saucy blues.

Mildred Anderson's No More In Life

This woman has an amazing voice. I'm also enjoying the superior quality of these recordings: stereo! It's been a long time since I bought something in stereo. It's a bit exciting. And caught be my surprise, the first time something different came out of the second speaker. Both are from the Fantasy/Prestige label on emusic. This is some special stuff.

I'm also thinking of both these with blues dancing in mind. Not mine (as I am still MIA with fuckingshit injury), but other people's.

You know, it's actually a lot easier finding music for blues dancers. The time period is looser - I'm working between the 20s and the current day, though I'm heavier in the 20s, 30s, 40s, 50s and 60s. There was just such a wealth of nice, fat blues action recorded. The swinging stuff I need for lindy hop (mostly late 20s, 30s and 40s, with some time in the 50s) is a lot harder to find, and it's also a lot trickier to judge the quality. Quality as in recording quality, but also (and more importantly) quality for actual dancing. Perhaps my standards are just lower for blues dancing. Or perhaps Australian blues dancers just have lower expectations of their DJs. At any rate, with all this lovely blues music available (and relatively easy to find - both online and in music shops), why is it that we have to listen to bullshitty 'blues fusion', trance, etc at blues dances? I know other people are into it, but it just shits me. If I wanted that action, I'd go listen to some decent DJing by hardcore trance/fusion DJs who really knew their shit. And I wouldn't be dancing the naff blues partner dancing to that shiz. No way.

... I guess I'm a little cranky about this stuff at the moment - I can't dance to anything, so it's horrible watching people waste their lucky dancingness on bullshit music.

Sigh.

I am cranky.

Posted by dogpossum on January 19, 2009 6:05 PM in the category digging and djing and lindy hop and other dances and music