I’m quite liking this new trend in jazz/dance videos. I like the high quality of the videos, I like the editing, I like the relaxed dancing styles, I like the way they’re doing a very good job of selling lindy hop to a mainstream audience. Not so struck on the body image stuff, but to be honest, if you’re a hardcore dancer, you pretty much pare down to muscle, sinew and bone. Or do you? I’m not about to experiment; I like it that I can rock a good shimmy.
ATTN: Speakeasy
FYI peeps, Speakeasy is on again this month. If you dance anywhere in Sydney, you must dance at the Speakeasy. Even Dave dances there.
Music: House party Swing in the Lounge Room, Blues in the Rumpus Room
Donation: $10 on the door
When: Saturday, 25 February 2012, 21:30 until 04:00
Where?: Crossover Dance Studios, level 1, 22 Goulburn St, Sydney
BYO?: Yeah baby!
Supper: feat. the Speakeasy Bakers
FB page
NB Bring your fan and a change of tshirt, because you will sweat.
DJing is not politically neutral
Lots of DJs talk a lot about mac and great their products are. I use mac products. I’m not in love with them the way many mac users are, but I certainly enjoy using them more than the Microsoft products I’ve used, and I’ve not explored Linux or other options. But how should I feel about apple now that I’ve listened to Mike Daisey’s story about factories in manufacturing China? This This American Life story explores the issue in detail, doing more than shouting about awful working conditions in sweatshops to explore why western communities feel ok about buying products from and supporting companies which use sweat shops.
I think this is an interesting topic for DJs. We tend to think of ourselves as workmanlike people, just playing the music, or doing our art for the sake of the dancers, who’re doing their art. But if the tools we use are created with the fairly horrific exploitation of others, is it really art? Can we really justify what we’re doing as being in any way a good thing?
I’m not sure what to think or how to act. Living in the global north (ie in a developed, wealthy country), being a part of demograph is which is empowered by the exploitation of others, I think that the first thing I have to do is recognise my own privilege. How is my life made easier by the difficulties of others? My own privilege comes from the disadvantaging of other people. It’s not a neutral thing, the happy happenstance of my own or my parents’ or my grandparents’ hard work and good fortune. I live this life because other people cannot.
[edit 16/3/12: apparently Daisey fabricated much of his story. I don’t think this negates the original point (that factories making electronic goods for affluent consumers exploit their workers), but the details are not as Daisey would suggest.]
[edit 18/3/12: another interesting discussion of the Daisey issue as theatre/performance and suspension of belief]
Bellyache Ben & the Steamgrass Boys
If you like ol timey music, you should check out Bellyache Ben and the Steamgrass Boys. They do a version of ‘Oh Death’ that I’d DJ at a blues dancing event fo SHO.