So far as skills for playing band break sets go, I usually have a few rules:
- Don’t go into the hardcore high-energy territory. Keep the vibe bubbling along, but never quite climaxing. The band should be the peak;
- Don’t get too low energy – keep the room bubbling along;
- Don’t play songs the band will play. So this means introducing yourself to the band, getting a set list, and getting an idea of the type of music they’ll play;
- You’re not the star here, your job is to be the support act for the band, warming the room for them, keeping the dancers interested, and generally helping the band have a good gig. So don’t show off, don’t do any stunt DJing, don’t be a jerk, be on time, be easy to work with, MC if you have to, keep you eyes on the band and be ready to play with zero notice;
- Introduce yourself to the sound engineer, the MC, the band leader, and the stage manager. Be helpful and useful, and do a soundcheck if you can;
- Don’t play hi-fi stuff, especially not hi-fi 50s bands like Basie’s, because no modern band will sound as good;
- Complement the band’s style, but don’t echo it too perfectly. eg SSAS often play a lot of Ellington, so I try to stay away from the Ellington favourites;
- Don’t go nuts on tempos; keep the music accessible and don’t tire out the crowd before the band comes back;
- Don’t play anything too crude or too memorable. A band break DJ is just filling in music, keeping the vibe going while the band literally take a break. So don’t outshine the band.
li> Play something with a ‘building’ energy just before the band goes on (like that brilliant version of One o’clock Jump), so that the band go on stage to an amped up, excited crowd;
And finally, all this holds true if the band is good. If the band really sucks, then you follow all these rules, except you play really good songs that give everyone a chance to dance.