dvd crazy

I really like borrowing DVDs from the video shop, but lately our video shop has gone to shit. There are very few DVDs for hire, but zillions for sale. It’s the same story with a few other video shops in Brunswick. It doesn’t make me happy – I’d much rather pop in to rent something, pay $6 (or $3 or whatever) and bring them back for other people. I don’t need to own the things.
But I guess I’m in the minority in Brunswick.
But since I started teaching media so full-on-ly, using so much AV stuff, I’ve gotten interested in film again. I’ve been picking up cheap DVDs when I see them. I never pay more than $10 for a single DVD, so it’s a bit like renting them. And I have a list of priorities – not just any old shit. Unless it’s 80s shit. I’m on an 80s film binge. I think it’s because I’m working with teenagers who don’t know who Molly Ringwald is. And I just can’t believe them.
I also like anything SF. Anything. And I like lady films – chick flicks. Because chick flicks are dialogue heavy, so you can listen to them while you crochet (pink and green afghans are go at our house, though they’re all beige to The Squeeze). I also like the cheeriness of chick flicks. I know I should be suspicious of their gender politics, but I like the character-centredness, the predictably reassuring plots. And how could I take this heternormativity seriously? It’s so insistent it’s difficult to really accept. So it’s kind of like playing dress ups – putting on Barbie clothes for a hour or so.
I have also been hunting down all the films by the following directors:

  • Woody Allen
  • Jim Jarmusch
  • Robert Altman
  • Coen Brothers
  • Ang Lee

Going through the DVDs we do own, I rediscovered this one the other day:
LargePosterSavingFace.jpg
Saving Face*, directed by Alice Wu. It’s a really lovely story about a young Chinese American dyke living in New York who falls in love with a lovely Chinese American ballet dancer. Her mum (Joan Chen!!!) gets pregnant and must come to live with her. The ‘saving face’ bit is about maintaining family honour.
I adore it.
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It reminds me of Ang Lee’s Wedding Banquet.
I’m also very fond of films like The Incredibly True Adventure of Two Girls in Love. Lady films with lots of dialogue, happy endings and kissing. I like the kissing bits.
I’m also watching the TV version of Tales of the City. I’d loved it when it was on telly, and I remember reading all the books/stories. It’s not quite as good as I remember, but I do like it. More kissing. Lots of boobs. Great 70s frock action. Tight pants. Big hair. Ace.
I found a whole bunch of DVDs in the second hand shop in Moonee Ponds for sale. I suspect some of them were films that someone forgot to return. Or just outmoded stock. It’s making me happy. $6 is what I’d pay for a new release, and when that gets you your very own copy of Gosfod Park, the world is a very lovely place.
I haven’t seen a film at the cinema in ages and ages. But that’s because I haven’t had time. But these DVDs are getting me through. Could be a bit ob-con (a bit like this rash of blogging), and I am doing a lot of crocheting. Also managed to squeeze in time to make a nice very dark grey zip-up hoody with black and white striped hood-lining and pocket and red bias trip around the hood and zip. It’s loose, very soft and very nice and warm. Made in that tracksuit fleece – looks like cotton knit on the outside, all fuzzy inside. Cheap fabric, only $4 a metre (150 wide) but all cotton and very, very pleasing.
I have been wearing it with long black shorts and my uncool converse sandshoes. No, not gym boots, but uncool cheapies. Black ‘velveteen’. The students are unimpressed. I am inordinately proud of them – I remember my first red and blue pair back in the early 90s when they were cool. I like the wide round toe. I even like the black velveteen. I am also wearing my one pair of ill-fitting home made jeans to bits. And threadless Tshirts. Unfortunately all this academia has led to very little dancing, so I’m getting really really fat. Luckily it doesn’t matter how big my arse is, because my brain is really big. But it does mean that I have a limited wardrobe atm, and no time to make more clothes. A conundrum. Guess all the sitting about on that wide, comfortable load watching DVDs doesn’t help.
*guess this made me think of it.

pussy galore

I blame my obession with lady bits on the fact that I’m surfing the crimson wave and talking a lot about feminism in classes at the moment.
Whenever I ride or walk around my neighbourhood (which is everyday) I count kitties.
Today, walking back from the shops and a marking meeting, I counted 4. Two orange kitties (one on Lillian Street, one on a second floor balcony just off Hope Street), one black one with a weird head, sitting couchant on a front door mat, one white and grey one with small ears in a front garden. I called out to each of them but only patted the last one.
I am very, very, very allegic to kitties, so I had to wash my hand as soon as I got home, to stave off the itchies and rashies and snotties.
The other day I counted 6 kitties as I walked up the road one early morning. And one dead one on the footpath (that was a surprise, I can tell you).
One night we counted 8 riding back from the pub at night, including 5 feral kittens in the parking lot next to the Upfield bike path near Nino and Joe’s.
When I was much, much younger and horse-obsessed I used to count white horses (this was easier when we lived in country NSW and I was a pony club person). It’s very satisfying.

into the groove

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Perhaps my very favourite song on Madonna’s Immaculate Collection is “Get into the Groove”.
Why do I love it? Let me count the ways.
1. ‘Get into the groove’ is a euphemism for literally ‘getting into’ a woman’s vagina, but also an invitation to get up and dance, get yourself into the vibe. I like the physical invitation of both versions.
2. I like the spoken opening line:

And you can dance… for inspiration

I like the thought of Madonnna ordering her boy onto the floor, demanding that he dance – for her musical (and sexual) inspiration. And if he can’t work it, he ain’t gettin’ no interest from her. You can’t help but read Madonna as a text – think of that film clip for ‘Material Girl’. Sure, we all reference Marilyn, but it’s also a story about Madonna, and her spectacular gender play. Sultry, diamond-and-pink encrusted diva? Yes. Leatherette? Yes. Super-athlete? Yes. Her continually reinvigorated and reworked public persona offered a super-cool (and Madonna always was terribly chic) woman to pretend to be, or a series of female identies we could play with – put on and take off. And even though the film In Bed with Madonna invited us to watch the ‘real’ Madonna, it was quite clear that this was really just another performance – another costume.
3. The 115bpm tempo is just perfect for the all-night-long disco dancing I used to adore. But it has a spunky double time electronic drum thing happening as well, for when you want to bust out.
Those were the days – when 120bpm felt fast. And I knew how to dance Without Rules.
4. The line

Get up on your feet, yeah, Step to the beat

is lovely to say.
5. I was eleven in 1985 and didn’t really understand what Maddona was singing about. I knew it had something to do with boys and kissing and possibly sex, but mostly I thought she was challenging him to a dance-off. And I just knew she’d kick his arse (because that’s what she does).
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6. The bit in the film Desperately Seeking Susan where Madonna invites that bloke onto the dance floor was the very best. In fact, Susan/Madonna was the very best character.
1800056641p.jpg 7. And Desperately Seeking Susan was the very best film. There’ve been quite a few articles written about the way women feel about that film, and about the way it invites a female gaze and is, really, constructed for female audiences. Sure, Madonna’s struttin’ it for the blokes on-screen, but we all know that she’s really workin’ it for the sisters. For Rosanna Arquette, and really, most of all, for all those women who are checking her out. Remember that bit in the ladies’ room where she’s drying her armpits with the hand dryer? That’s for the ladies.
8. The Immaculate Collection is the very best Madonna greatest hits collection. I was given it for Christmas – a double LP with some seriously fabulous art and lift out bits. I’m looking at it right now.
This was released round about the time her Sex book was published (and banned in Queensland – so a couple of gay male mates of mine had to travel to Sydney to get it so we could pore over the images, wondering if it was all staged or real), and the collection features ‘Justify my love’ and ‘Rescue Me’.
I also own the album on CD.
I played it so many times that Christmas I feared for its grooves. :)

Into The Groove ~ Madonna
And you can dance…for inspiration,
Come on…I’m waiting
CHORUS
Get into the groove, Boy you’ve got to prove
Your love to me, yeah
Get up on your feet, yeah, Step to the beat
Boy what will it be
Music can be such a revelation
Dancing around you feel the sweet sensation
We might be lovers if the rhythm’s right
I hope this feeling never ends tonight
Only when I’m dancing can I feel this free
At night I lock the doors, where no one else can see
I’m tired of dancing here all by myself
Tonight I wanna dance with someone else
CHORUS
Gonna get to know you in a special way
This doesn’t happen to me every day
Don’t try to hide it love wears no disguise
I see the fire burning in your eyes
Only when I’m dancing can I feel this free
At night I lock the doors, where no one else can see
I’m tired of dancing here all by myself
Tonight I wanna dance with someone else
CHORUS
Live out your fantasy here with me, Just let the music set you free
Touch my body, and move in time, Now I now you’re mine
You’ve got to……PIANO LEAD
Live out your fantasy here with me, Just let the music set you free
Touch my body, and move in time, Now I now you’re mine
CHORUS 2X
Get into the groove, Boy you’ve got to prove
Your love to me, yeah
Get up on your feet, yeah, Step to the beat
Boy what will it be

ladies making stuff: keynote=go

poster.Cda.StrongArmsOfCanada.woman.WWI.jpg DFE logged this story about pecha kucha (pronounced peh-chak-cha) on faceplant this week and it’s caught my attention in a massive way. I think I want to do it. I’ve been thinking about making keynotes into little films (there’s a neat export option which automatically makes them into quicktime files) and to think that there are other nerds out there, just like me, who’re into this action… how wonderful! But of course, part of my thinking is centered on the fact that that is one hot teaching tool.
I’m already a really big fan of Keynote. I just LOVE the way I can combine pictures, little bits of text, little movies, music or sound files (oh yes, please – jazz up the wazoo), ‘slides’ which change automatically, or use basic animated transitions (like a page turning or one slide being pushed aside by another) and me strutting about talking crap in front of a captive audience.
I am just obsessed with the opportunities for visual puns and bad jokes – I’m still thinking I’m the queen of lecturing for my joke about laundry trucks and Roland Barthes (which I can’t really tell here because it takes some setting up).
Writing that lecture about the media and war, I was also struck by the possibilities of keynote for making quite full on emotional points.
RosieTheRiveter.jpg I really enjoy making these things (even though they’re a lot of work), and I think they’re a really effective way of teaching – the stoods like them and stay interested, and I find they slow me down and stop me talking a zillion miles a minutes (which I tend to do otherwise). Not to mention the fact that when you’re teaching media it actually helps to show some.
I also like the ‘found object’ approach to keynotes that I’ve been taking. Basically, I write my lectures in a word file, including all the necessary information, then I break it down into ‘slides’ (which usually means one major point per slide, so I’m looking at about 70-90 slides for an hour and a half lecture), then I go looking for images and clips. Hello google, my fine friend. And hello youtube. Once I’ve found clips, I download them and then insert them into my keynotes. Because I’m using a mac, it’s all a matter of click-and-drag: easy peasy.
watson.jpg I’m also a fan of sound files – I’ve found some truly fabulous audio files from the www.firstworldwar.com site. There’s one I especially like called ‘Loyalty and German-Americans’, which is a speech by the American James W. Gerard speaking in 1917. It’s a neat example of wartime racism, making quite clear the idea that the media is a useful place for developing anti-enemy emotions, including dehumanising the enemy. And it’s particularly effective when you match it with a series of posters like this one from WWII.
I’ve just dropped that sound file of that speech into my keynote so the stoods can hear exactly how people talked about this stuff. The fact that most of them are first or second generation Australians (if that!) makes Gerard’s anti-German immigrant talk extra pertinent. Talking about WWI is interesting because we don’t have cinema or TV or radio working in the same way as it was in WWII and then later wars – we’re looking at a culture dominated by visual print media and public speaking.
And of course, when it comes to WWII, I just have to play songs like Ellington’s A Slip of the lip (can sink a ship), because it illustrates so perfectly the sentiment in posters like this one and this one.
And then, of course, I show them pictures of the current war-time, racism-inciting, ‘anti-terrorist’ posters like this one*.
A slightly different message: talk more about the things you see, rather than talk less, but still inciting a sense of paranoia and mistrust of the people around you. Or more specifically, mistrust of the people who are ‘unusual’ or ‘not like us’ around you.
Looking at all these amazing posters, and watching the doco Hype yesterday (which I picked up for a few dollars in the recent JB sale – ah, serendipity!), I’m suddenly all inspired to print my own posters. I’m not sure whether I’ll be promoting kick-ass chicks in sensible clothing or punk-ass indy rock, but I can be sure it will be wonderful. Though I’ll probably have to get ducky to tell me how…. when I get time, of course.
*My favourite line on that poster is this one: “I know this person who has downloaded a lot of documents from suspicious websites”. I’m just waiting for one of my stoods to ring up our Fearless Leader and dob me in.

responsibles

ozzyosbourne.jpgFirstly, here’s a picture from this week’s lecture. We are all about celebrity this week.
I have about a million emails in my inbox from panicky students, all asking me if their ads are ok for the assignment. The assignment is due next week. I also have a bunch asking for extensions, for reasons ranging from ‘I just haven’t had time’ to ‘I’m sick’.
I’m not sure what to do about them all, so I’m ignoring them.
The “can I have an extension because I haven’t had time” excuse is a tricky one. One of the challenges of working with students who are supporting themselves financially with shitty jobs while they study, or who have families they’re supporting, is that they’re not on campus terribly often, and they work shitty jobs for the other 4 days a week they’re not at uni. What do I do in this situation? On the one hand, part of the assessment task is being able to manage your workload. On the other, these guys really are working shitty jobs that leave them zero wiggle room – they really can’t ditch a shift just to do an assignment. And it’s not like they’re slacking – I’ve noticed more and more students are having to work crappy jobs to fund their university study. And as I move down the food chain, away from the sandstones and down to the concrete slab unis, I find more and more students have less and less time for wandering around the library making friends with librarians or just popping in to see me to talk about assignments.
I think about the university of Melbourne’s new ‘American model’ uni, where degrees are reworked to become postgraduate degrees, and I shudder. It’s hard enough for students like mine to support themselves on bullshit jobs for the three years of an undergraduate degree. But to then put themselves through a postgraduate degree that doesn’t offer a nice, fat scholarship… it’s really a matter of access and equity.
Oh well. I’ll answer their emails tomorrow.

Farmers lock up premier

An angry mob of farmers locked Victorian Premier John Brumby in a machinery yard for more than an hour this afternoon to protest the government’s planned north-south water pipeline.

Am I the only one who thinks this is an awesome news story? I especially liked the headline.

did i say unbelievable teaching tool already?

So I’m doing a lecture on the media in war time.
I start with WWI, then WWII, then Vietnam, then the Gulf War and finally the ‘war on terror’.
It’s been heavy going, to say the least.
I’ve collected a lot of images from the intertubes, and also some absolutely amazing footage.
I’ve found some really great sites like www.firstworldwar.com, which has some truly awesome AV and sound files, which I’ve just been popping into my keynote presentations. Keynote rocks, by the way – a truly fabulous alternative to powerpoint. So much easier to use. So much prettier.
I’ve also been playing on YouTube. Search for ‘second world war propaganda’, and you get fascinating archival footage – news reels, animations, etc.
Do a search for ‘vietnam war footage’ in YouTube and you get a stack of archival footage. And some truly freakin’s scary red neck racist commentary.
I’ve just started into the bit on the Gulf War and the ‘war on terror’, and that’s scary. It’s really upsetting. The Gulf War is easier to deal with because I’m discussing the way it was sanitised by CNN – lots of talk about technology, lots of computery stuff. Not a lot of bodies.
But the stuff on Afghanistan is really breaking my heart. One of the points I’m making is about the way the internet has suddenly allowed anyone to upload footage of the conflict – US soldiers, local citizens, politicians. I’m also writing about blogs and the US army sites, but the stuff that’s really caught my attention is the way ordinary people are using youtube to make little films.
It really reminds me of the stuff I’ve read about community media and the role of media in developing countries… if you have a camera phone, you can make a movie. And if you can get access to the internet, you can put it online.
I know that getting online isn’t easy, and that supplies of electricity are difficult, but still. This is really a massive, massive change in the way wars are represented in the media. And more importantly, the way people in occupied or invaded countries represent themselves.
One thing I have come across is Alive in Baghdad. I’ve only just stumbled over it, but it’s interesting. I know nothing about it, and part of me wonders about anti-US propaganda. But I suspect it’s on the level. Does anyone know?