pumpkin: pwn; fish:pwned

fom.jpg I’m sure I’ve crapped on about this great little cookbook before (potato salad, orange salad). It’s called Flavours of Mexico (in the ‘Good cook’s collection’, published by Fairfax in 1998). Yesterday, as we searched through The Diet Book for something even remotely interesting, I suddenly remembered this nice little Mexican cook book and its lovely salads. This book is about how I like my cookbooks – large pages, bright, coloured photos. I could do with something a little more substantive (82 pages isn’t quite enough, thanks), but when every recipe you’ve made from a cook book has been gold, you kind of figure you’re getting all-wheat, no-chaff.
Tonight we made ‘Squash with Green Onions’. I was actually cooking a fish in the oven using a recipe from the book (Roasted Garlic Fish) which didn’t turn out so well. The fish was a poor choice – I’m just buying everything one by one, figuring out their strengths and how they should be cooked as I go. So far The Squeeze (who’s only new to whole fish and was at first entirely suspicious) is a big fan of the Coral Trout. I’ve forgotten this one’s name, which sucks. I should have gone with my instincts and gotten Snapper, but I didn’t. But as the oven was on and I was flicking through the book for a nice salad dish, I came across the squash recipe.
I didn’t have any squash, though. Just pumpkin :D It was freakin’ wonderful. As it was cooking, we almost expired from delight.
Here’s the recipe:
1kg butternut pumpkin, peeled and chopped
350g yellow or green patty pan squash (those cute little yellow ones that taste like zucchini)
4 carrots, peeled and halved
2 tsp finely grated lime rind
1 tbsp olive oil
freshly ground black pepper
155g feta cheese, crumbled
Green onion dressing:
12 spring onions, sliced
3 mild fresh green chillies, sliced
1/3/90ml cup olive oil
1/4 cup/60ml apple cider vinegar
2 tbsp lime juice
Ok, first thing to note: don’t leave anything out (except those yellow squash – we did). Everything is essential.
1. Chop up your pumpkin and carrots. I cut them so they’d take the same amount of time roasting – so bigger pumpkin, smaller carrots. The Squeeze likes his pumpkin sloppily overcooked (he’s just new to pumpkin too, but he’s all over it now), I don’t. I don’t mind my carrots having texture. He does.
Grate that lime rind over the veggies. Do it – don’t leave it out or substitute with lemon! And grate it very finely so it gets everywhere – not big chunks. Add that olive oil (even less if you can – you don’t want this to get greasy). Grate some black pepper over it – to your taste (don’t go nuts, but don’t be too stingy).
Ok roast those suckers til they’re done – golden and soft if you have a good oven. Cooked and kind of damp if you have a shitty oven like ours.
2. Make the dressing. We actually only had 750g pumpkin, 2 carrots, no yellow squash. So I only used 6 spring onions. That was a lot. Perhaps too much, as you’re using white and green parts. But while you can reduce the proportion, do be generous with your onion – it’s meant to be a key feature, not a tiny little decoration. Slice that onion diagonally – don’t make tiny little circles.
Add the chillies. Don’t leave those out. We only used one small red one, and we ended up with a salad that was a tad too sweet. Use those chillies. Use nice green ones, too. Add that olive oil. Add all of it and then be stingy with the final dressing – don’t screw up the proportions before hand.
Add that apple cider vinegar. Don’t use any other type of vinegar – that’s your only option. You want that appley taste.
Add that lime juice. Do it.
Whisk that dressing.
3. Cut your feta cheese into chunks. Crumbled gives you a kind of feta slop.
4. Ok, put your roasted veggies on a serving dish (breathe in that fabulous pepper/lime combination – yum!). Add the feta. Pour over the dressing.
EAT IT.
It’s so good, it’s just freakin’ amazing. If you’re not sure about the oil, then reduce the amount of dressing you add at the end – don’t stuff up the proportions. It’s actually quite a wet dish – you can afford to reduce the amount of dressing you use.
This dish is so freakin’ good, we made do with it and tomato/mint/coriander salsa when the fish turned out crap. The fish tasted like dirt. I’m sure it wasn’t mullet.
BUT the recipe was quite special:
1.5kg whole fish such as bream, snapper, whiting, sea perch, cod or haddock, cleaned
1 lemon, sliced
2 fresh red chillies, halved
3 sprigs fresh marjoram
7 cloves garlic, unpeeled
30g butter/splooge of olive oil
1/3 cup coconut milk.
1. Ok, get your garlic and roast it in a pan. I used a cast iron pan. You want the cloves to get charred and the garlic soft. When it’s done, tip it into a bowl and squeeze out the guts. Get rid of the skins. Lick your fingers here – this is one sweet taste.
Add the olive oil. I substituted olive oil for butter and think I preferred it. I also didn’t use very much – just enough to carry the flavour of the garlic.
2. Shove some lemon slices, the chillie and the marjoram inside the fish. Don’t skimp on the chilli – you won’t taste it much. Don’t exclude the marjoram – it’s essential.
3. Rub the garlic slime over both sides of the fish. Put the fish in a grill-proof baking dish. Cover with foil. Cook until flesh flakes (20-30 mins depending on your oven and the size of your fish).
4. Remove foil, place under hot grill and cook for 3-4 minutes until skin is crisp. Serve with a drizzle of coconut milk.
We didn’t bother with the coconut milk. The fish tasted yuk, but the sauce was fabulous.
I did find a copy of this recipe book here. Look for it second hand. I’ve made many things from it and loved them all. It’s kind of Mexican for beginners, but it makes you realise that some things are very important in Mexican cooking:
– limes
– coriander and mint (fresh of course)
– salady bits
It doesn’t have any recipes that use mince. It does have recipes for roasted chili duck and quail with rose petals. It uses a lot of different types of chillis, most of which are hard to find in Australia (in both Melbourne and Sydney), so you might want to grow your own. If you’re a hardcore Mexican foody, this will be too basic for you. If you want a few tasty salads and vegetable dishes and some simple, low-fat but high-taste recipes for meat and fish, this is a good option. We love it.

mercy dee walton’s Pity And A Shame and mildred anderson’s No More In Life

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Finally, my emusic month rolled over, and there was goodness to be had. Unfortunately 50 songs doesn’t go that far when you have a wish list as long as mine. At the moment that list is divided equally between spankin’ olden days jazz from the 20s and 30s and saucy hi-fi blues from the 50s and 60s. Well, actually, the list is weighted towards the olden days stuff. Because I just can’t get enough of the Chronological Classics – it’s a little bit exciting to have them available.
Mercy Dee Walton’s Pity and a Shame is making me very happy. Hi-fi 60s blues, piano + harmonica + vocals. Kind of sparse instrumentally, but with a big, fat hi-fi sound. Perfect for blues dancing. Also, fixing my need for saucy blues.
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Mildred Anderson’s No More In Life
This woman has an amazing voice. I’m also enjoying the superior quality of these recordings: stereo! It’s been a long time since I bought something in stereo. It’s a bit exciting. And caught be my surprise, the first time something different came out of the second speaker. Both are from the Fantasy/Prestige label on emusic. This is some special stuff.
I’m also thinking of both these with blues dancing in mind. Not mine (as I am still MIA with fuckingshit injury), but other people’s.
You know, it’s actually a lot easier finding music for blues dancers. The time period is looser – I’m working between the 20s and the current day, though I’m heavier in the 20s, 30s, 40s, 50s and 60s. There was just such a wealth of nice, fat blues action recorded. The swinging stuff I need for lindy hop (mostly late 20s, 30s and 40s, with some time in the 50s) is a lot harder to find, and it’s also a lot trickier to judge the quality. Quality as in recording quality, but also (and more importantly) quality for actual dancing. Perhaps my standards are just lower for blues dancing. Or perhaps Australian blues dancers just have lower expectations of their DJs. At any rate, with all this lovely blues music available (and relatively easy to find – both online and in music shops), why is it that we have to listen to bullshitty ‘blues fusion’, trance, etc at blues dances? I know other people are into it, but it just shits me. If I wanted that action, I’d go listen to some decent DJing by hardcore trance/fusion DJs who really knew their shit. And I wouldn’t be dancing the naff blues partner dancing to that shiz. No way.
… I guess I’m a little cranky about this stuff at the moment – I can’t dance to anything, so it’s horrible watching people waste their lucky dancingness on bullshit music.
Sigh.
I am cranky.

Introducing the Rhythm Club All Stars

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I can’t really be bothered writing about this, beyond “want!”.
From the site:

Introducing the Rhythm Club All-Stars . . . a brand new, super swingin collective specializing in jazz from the 1920s and ’30s. True to its name, the RCAS is an all-star aggregation that features some of the top professionals on the Southern California scene. Led by internationally renowned drummer Daniel Glass (Royal Crown Revue, Bette Midler, Gene Simmons), the RCAS also include guitar wizard and vocalist John Reynolds (Cab Calloway, Janet Klein), bassist John Hatton (Brian Setzer Orchestra), and horn master Corey Gemme (Johnny Crawford, High Sierra Jazz Band) on cornet and trombone.
Combining vintage instruments and a classic look with a period-perfect sound that swings like crazy, the Rhythm Club All-Stars offer an authentic, high energy retro experience that has quickly become a favorite among Los Angeles area swing dancers and corporate clients alike.
The band’s debut CD features a wide variety of classics, from the familiar (“Honeysuckle Rose,” “Blue Skies”) to the obscure (“Old Joe’s Hittin’ the Jug,” “Digga Digga Doo”). But it’s the band’s hard swingin’ approach and unique arrangements that bring new life to this material. Check out the moody cadence of “Caravan,” the fiery brushwork on “Jeepers Creepers” or the virtuosic banjo playing on “Digga Digga Doo” and you’ll find yourself screaming for more. This is one disc not to be missed!

CDbaby pleases me: wonderfully prompt service, great products. Yes.

sigh. dance torture.

Sitting here, drowning in self pity for my own inability to dance, I’ve been torturing myself watching dance clips. Of all the competition footage I saw from/during last year, this one of Stefan and Bethany at ILHC is the one I keep watching. Not so much on the lindy hop, but chock full of interesting (dare I say eccentric?) jazz. I like the way they’ve used a fairly unconventional song for a fairly unconventional routine. One of the trickiest parts of dancing a revivalist dance is coming up with new and interesting choreography (actually, I guess that’s the hardest part of any dance). But this one is really interesting. It’s not perfect – there are a few things I’d have liked to be a bit tighter – but it really reflects the dancers’ personalities. I tend to watch Bethany more than Stefan (as Pat said, all those years ago, “Don’t wear black to a performance” – you just blend into the background, especially on a night with bright lights and serious contrast between the lit and unlit parts of the floor), but Stefan’s really lovely in this as well.

Sigh. At least I’m back on the bike now, though – fitness will return and I’ll be ready for a return to uninjuredness. I am, incidentally, off for an MRI on Tuesday (tomorrow) followed by another appointment with the specialist on Wednesday. If the plantar fascia is torn (as is suspected), then I’ll be wearing a corrective boot to keep it immobile for a while. If it’s not torn, then I’m to get to some cortizone. I should be on anti-inflamatories, but I just forgot to pick them up on Friday. I am a dumbarse for that, of course. Either way, no dancing for a couple more months. This is excruciating. I haven’t gone this long (four months) without dancing in ten years. But I’m trying to be philosophical – perhaps this prolonged break will bring me back with renewed enthusiasm and inspiration. Perhaps I can come in rough and do some serious learn, side stepping my bad habits. Perhaps. Either way, I’m glad I’m back cycling, as it was killing me going without exercise. I’m also back into yoga next week (had planned last week, but the doctors’ appointments have managed to screw with my Wednesday evenings).

al minns

Here‘s an interesting clip – Al Minns dancing in 1980 in NY. I’m not sure who the dancers in the background are. There’s another one of Minns in the 80s here. It’s interesting to compare his style with Frankie Manning’s:

…and it kind of blows my brain that they’re both in about their 70s in the later bits of the clips. Frankie is 95 this year (check the site for more info) and it’s a really big deal – as you might expect.
I’m more of a Frankie fan (guess that makes me second generation) – I like the bounce and the low, ‘flying’ style Frankie has.