the Yarts

The Average Person Spends 27 Seconds Looking at a Work of Art. Now, 166 Museums Are Joining Forces to Ask You to Slow Down
Museums in Australia, Canada, the UK, the US, and elsewhere are holding special events for Slow Art Day on April 6.
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Founded in 2009 by Phil Terry, the CEO of the consulting firm Creative Good, Slow Art Day asks museum-goers to spend ten minutes looking at a single work of art, focusing intently on the piece before them. The initiative is “counter-cultural to the smartphone and its growing dominance in culture, but also to blockbuster exhibits and the focus on absolute numbers,” (Slow Art Day)

I like to enjoy art in lots of different ways, depending on how I feel or where I am. Sometimes slow, sometimes fast. This idea that we have to look at art in one way (slow) is poop. Because it excludes those of us with little time, or kiddies on hand, or with special needs, etc etc etc. And some pieces of art want us to look quickly, to let our eye move. Even Warhol would probably have liked it most if we barely glanced at his soup cans as we walked past.

I do a lot of gallery and museum looking when I travel, and I’m super picky. I never ever need to see another Brett Whitely, and I’m a bit tired of Warhol (which he’d probably like). Good curating makes a collection lookable. I like a well-curated exhibit, but I can also take more time in a truly terrible exhibit bitching about the shocking layout, impenetrable text, or confusing space (eg I reckon that street photography exhibit at the Sydney Museum is woeful, when the subject matter is fascinating).

I’m a big fan of exhibitions that have pieces ‘in conversation’ with other pieces, or that involve the gallery itself in the exhibit. Rather than a featureless white wall that fades into the background, I like a gallery that speaks to us, that asks us to think about where we are, as well as what we are looking at.

The Secession building in Vienna is one of those places that asks us to think about the place of art in space (a building), a city (Vienna, wealthy European city, home to zillions of galleries and museums), a culture. The building is beyond beautiful, and home to the gorgeous Klimt Beethoven frieze. The Secession movement, though, was about freedom. To quote our friend wikipedia,

Secession artists were concerned, above all else, with the possibilities of art outside the confines of academic tradition.

They physically got themselves and their art up and out of the Vienna Künstlerhaus. But just walking past this incredible building – far smaller than the many of the galleries and museums all through the city – is exciting and inspiring.

I saw a great exhibit of contemporary radical British art (lots of black British art, feminist British art, etc) in Arario at Space in Seoul which was really cool because it was mostly 80s art* in a 1970s office building which was itself a comment on community and space. It was truly mesmerising and engaging. The building’s architect, Kim Swoo-geun, was making clear comments on the role of community, shared work, national identity v local identity, and shared space. The art, of course, was commenting on 70s and 80s Britain, and locating cultural space and identity as black and women artists in a colonial empire. Also there was swearing and many fucks thrown in Thatcher’s direction.


Similarly, I loved the Hundertvasser Haus in Vienna for the relationship between art and space.




For me, it’s not so much about individual pieces, but about the relationship between the pieces in a room, or a space. And that means having places to sit, to take selfies with pieces, to try a statue’s pose, to walk back and forth comparing pieces, to stop and peer at a bunch of tiny things in a case, etc etc etc.
I like a well thought out bit of text with useful information, and I’m a massive fan of exhibits combining different media (eg costume with paintings with prints with drawings…)





I saw a fabulous one of the Matisse cut outs at the Stedelijk which was in an interesting building, and used the concept of the cut outs in a fantastic way: we saw the pieces, we saw huge rooms dominated by huge colourful pieces, we saw tapestries inspired by them, we got to cut out our own and stick them up on the wall, we see films about the process, etc etc etc. It was just magical.

Years ago I saw an exhibit of a Lartigue’s journals (photos, notes, drawings, etc) in a British gallery (I think it was the Lartigue: album of a century exhibit at the Hayward in 2004)? It was just one room, but I spent HOURS there, pouring over the pages and photos. It wasn’t even hugely interesting in layout: they just had the journals open at pages and bigger prints of the images. But it was the subject material that made it so cool. It was so memorable that when I saw a tiny exhibit of his photos in Seoul years later, I was overcome by the feels.

Sometimes, though, I do like to stop and stare at one piece for ages.

I’ve been caught and stopped dead by some of the massive big pieces in the entrance way of the AGNSW lately. There was a fantastic, mindblowing series of huge canvases of Indigenous Art there last year that just stopped me in my tracks. They were so incredible, just on their own, that I had to stop and stare. For them, it was the sheer size and colour in a space that is functional – you walk through it to get to everything. They didn’t need anything more than to just be there, huge and bright and complex and wonderful, in a white, utilitarian space.

I occasionally stop in to see my favourite lady at breakfast picture at the AGNSW. Sometimes we do just want to sit and look at one piece for ages.

*This is ‘The New Black’ by Tracy Emin, 2002. Appliqué blanket. Emin’s most famous work is ‘Everyone ‘ which appeared in Saatchi’s exhibition of Young British Artists‘ work, ‘Sensation’ in 1997. YBA were ‘shocking’ young artists, and the exhibit included Emin’s work Everyone I Have Ever Slept With 1963–1995.

Going to Seoul to lindy hop

Hello! Do you love travelling and lindy hopping? Seoul is the city for you.

Here’s a note: I don’t know everything about Seoul or lindy hopping in Seoul; you should double check my observations with a local.
I’m also assuming that because you’re reading this post, you can read and speak english. That’s my only language.

First things first.

Where will you go?
South Korea.
South Korea has some pretty good cities, and you can lindy hop or attend lindy hop, blues, balboa, solo jazz events in most of them. But I like Seoul because it’s a fantastic city visit for other things besides dancing. I fly in to Incheon airport, the best airport in the world. It has on-site hotels, rest zones, showers, massage, endless restaurants and bars and shops, a roller skating rink, cinemas… it’s HUGE. And the train will take you directly to Seoul (it takes about 50-60 minutes, and you can buy a ticket at the airport).

Where should you stay in Seoul?
That depends on what you’re doing while you’re in the city. If you’re attending a particular event to take classes as well as party, then you’ll probably want to stay near the event venues. But if you’re planning to spend a week in the city (I recommend!), then you needn’t be tied to just one place. There are dance ‘bars’ all over the city, so it doesn’t really matter where you stay, though most visitors like to stay near a green line train station. This line of the excellent subway captures a few loops of the river and the CBD within it. You can catch it from Hongik University down to Bangbae (home to swing bars like Big Apple).

I like Hongdae. Hongdae isn’t technically a suburb or district; it’s the abbreviation of two words – Hongik Daehakgyo (Hongik University). Ask google translate for pronounciation tips. It’s an artsy/indy/studenty sort of area – lots of shops and arts centres and teeny little places to explore. And it’s well serviced by trains and buses, and it’s easy to find something to eat at any time of day.


link

If you look at that map above, you can see there’s a yellow squigly circle on the Hongik University train station. This is an epic big station, and you should always double check the station entrance you need before you try to exit :D I like to use this station as my base for accommodation when I’m staying in this area.
There’s also a red pointer, which is centred on an address: 29 Donggyo-ro 46-gil, Yeonnam-dong, Mapo-gu. Mapo-gu is the district (which is a loose part of ‘hongdae’). Yeonnam-dong is a ‘dong’ – a neighbourhood inside the Mapo-gu district. Donggyo-ro is Donggyo Road.

If you zoom in as close as you can, you’ll see this:

Note the scale: you’re at about 20m:1cm. This should give you an idea of the density of this part of Seoul. You can’t get to it with google maps, because the road barely fits a car. But the shop looks like this:

As you can see, this makes areas like Mapo-gu very walkable, and wonderful for exploring. A tiny little shop like this will often be in a three of four story building with lots of things to explore on each level.

This is how I like to spend my days.

General Seoul tips

Internet and your phone.
The internet is huge in Korea. Like, so big you will not be able to fit their kittens into your little phone. And everyone uses a big phone to talk to their friends and family, watch tv on the train, get around the city. Public use of phones is a way to politely ‘make space’ and not crowd other people, but it’s also important for finding out what’s cool in this huge, cosmopolitan city.
You can hire a wifi ‘egg’ at the airport, or most airbnb hosts provide them free of charge (check when you register).

Buy a selfie-stick and use it with abandon. It’s cool.
Take photos of everything – your meal, your drink, your friends. That’s also cool, and it’s a way to show your host that you appreciate what they’ve done. And go nuts with tags. BUT don’t take photos inside boutique shops, or in designer outlets or places where artists work and display. Especially when it comes to handmade or indy clothes. That’s not cool – that’s a bit like stealing ideas.

Use google maps and google translate.
Everyone in Seoul, even locals, use maps to find new things in tiny little dense areas. It’s totally ok to use your phone to navigate, especially if you are looking for that super chic bar/restaurant that’s just opened.

Learn some basic Korean.
Hello, goodbye, yes, no, thank you, I’m sorry, cool, delicious. A lot of people don’t speak english, so you should get some basic words. And use them! Trains, stations, and most signage use english (and chinese, japanese, and korean), and people are helpful, but you will need to use your words.

Use the underground and buses.
Cheap, clean, easy. Charge up your reuseable metcard and enjoy! BUT stay out of the train at peakhour, noob!
Note for westerners: you are bigger than most Koreans, so you will take up too much space. Make yourself small. Take off your backpack, hunch your shoulders, and keep your feet and arms close to your body. Lower your voice, and don’t make eye contact with strangers!

Eat everything.

Seoul is a city of foodies, and there are endless places to eat and drink, from traditional Korean food to the latest in gastro-porn. Learn a little bit about Korean food before you go, so you know what to expect.
Vegetarians and vegans: learn to eat some meat :D Soz, but while there are vegetarian and vegan restaurants (esp in Buddhist families or areas), they are few and far between.
Chilli eaters, get ready for FUN. Koreans like things spicy and delicious. If something looks red, it’s spicy. And there are lots of ways to add more chilli to your food! kimchee, chilli paste, etc etc.

Easy things to eat that don’t have too much chilli: kimbap (a korean version of sushi), bibimbap (a hot stone bowl with rice, some veggies, meat, and an egg sizzling inside, accompanied by kimchee and sides), bulgogi with rice (just beef with rice). I also like BBQ, but it’s not really a meal for one person :( :(

There are also a lot of places in Seoul that specialise in western foods. As in, the best croissants you will ever eat. The best bagels.

Take Out Food
You know uber eats and deliveroo? Those things will never take off in Seoul, because Seoulites have been delivering food locally forever. Motorbikes zip around the streets, weaving in and out of crowds, and doods in helmets crowd into apartment building lifts with bags full of delicious smelling food.

Coffee.
It is the best. Iced in summer, hot in winter. Pour over, cold drip, brewed. Seoul is THE place for coffee. So don’t just settle for a chain store like Starbucks. Use a guide.

Tea.
Seoul is very very very good for tea and tea houses. Treat yoself.

Mangoplate is a great app, but I find it’s often a bit out of date, as things change quickly in Seoul. I also use Time Out Seoul.

Where should you dance in Seoul?
That depends entirely on the day of the week, and whether there’s a big event on. Though it’s a little out of date, I still use Swing Dance In Korea (run by Adamas (KIM, Kang Seok)). This lists 15 different swing ‘bars’, and which days of the week are the ‘best’ for social dancing. Because Seoul is so high density, and there are relatively few big spaces for dancing, each of these ‘bars’ is essentially a dance studio devoted to lindy hop. Yes, there are at least 15 studios in Seoul alone where you can dance every day of the week.
These bars do look like dance studios, but they are incredibly well laid out. There are changing rooms, toilets, shoe and bag storage, heaters, air-con, great sound systems, and room for beer on tap and food. Yes, parties in Seoul include beer and snacks.

Note: not everyone who works in or runs these bars speaks English (or any language other than Korean), so you’ll need to learn some Korean words!

What night should you dance where?
Ah, that’s a tricky one. Adamas’ site does give you pretty reliable tips for which venues are ‘best’ for which nights. And by ‘best’ I mean have lots of people to dance with and a good DJ. But there are occasionally other things on – special band nights (!!!), classes with guest teachers, etc – which will change the ‘bestness’ of venues. For that you’ll need a) local contacts to ask, or b) post in the Fun Swing Dance In Korea facebook group. The latter is pretty good, but having a local contact is even better.
Yes, just as anywhere else in the world, you’ll have to make some local friends to get the most out of the local dance scene. YAY!

What is it like dancing in Seoul?
FUN.
The bars are crowded, and the music is good. Solid, swinging classic jazz. And the dancers are very, very good. There are, as per any scene, local politics and hierarchies which affect how people arrange themselves in the room, and who dances with who or asks who to dance. But as an out of towner, you can just ask anyone to dance, and they’ll probably say yes. If they say no, it’s usually because they feel very scared of dancing with someone they perceive as a ‘better’ dancer, or because they are just plain shy.

General stuff:

  • Dance one dance with each partner.
    You can ask for a second, but most people don’t. Say thanks and move on to your next victim! Ask anyone. As an out of towner, peeps will politely say yes, or even seek you out for a dance because you’re new and interesting. But as per usual, be cool with refusals, and be respectful.
  • Floor craft.
    Get it. Get it NOW. This is a big deal in Seoul, as floors are very crowded, and people are very good at not hurting each other. It’s not only good etiquette to be floor-safe, but also very socially important to respect other people’s dance space. Visiting leads, this means you: keep your rock steps tiny, and keep one eye open at all times. If you do stand on someone, hurt someone, touch someone, say sorry immediately. If it’s bad, you need to bow and check they’re ok. If you make contact with more than one person per dance, it’s you. It’s YOU. So you need to take yourself to the edge of the floor immediately.

    Important: how to say sorry in Korean.
    I use KWOW.

    “Mi ahn hae” is a casual way to say sorry to your peers or friends.
    BUT
    you don’t use this if you bump an aunty on the train! Then you add the ‘yo’ suffix: “mi ahn hae yo.”
    I like to add stop, say sorry, check in with the other person, add a little bow if I feel bad.

  • Music is fast.
    So get used to it. It’s only one song with each partner, but it’s crowded. My tips:
    – take small goddamm steps;
    – stay close to your partner;
    – hydrate regularly (you usually get a free drink card with entry price to parties);
    – change your shirt (everyone does) or dress (if you’re wearing them), especially in summer;
    – use deoderant.
    These last two are important in a culture where mutual respect is important. So don’t slack on this if you want to be polite.
  • Drinking and eating.
    There are little paper envelopes near big water tanks at most venues.


    For parties, there is often a keg of beer, paper cups (write your name on yours with pen), and lots of snacks, ranging from chips to fried chicken. Koreans can really hold their drinks, so be prepared. And don’t embarrass your mum. The snack room or table is a good place to meet people and make friends. Use your rubbishy beginner Korean and people will be charmed :D I find Korean dancers super friendly and nice, so it’s worth making an effort.
  • What to wear.
    Look, just wear what you’d usually dance in. For a regularly weekly dance, neat casual will work (eg jeans and tshirt, or dress pants and short sleeved shirt, nice dress or dress and blouse), but for a proper party or event, do it nice. Chloe Hong lives in Seoul, so you know the standards are high. You’ll see Korean men, for example, changing out of their gorgeous suits for the train ride home, to keep them safe. Men: avoid bare shoulders (ie no singlets/vests), and women, you can generally get away with everything, but be aware that Korean women are more likely to show leg than boob.
    Shoes.
    Do not wear your street shoes onto the dance floor. Do NOT.
    Koreans take their shoes off when entering a home or traditional restaurant, so this + respect for the floor = no street shoes on the floor.
  • Getting there.
    Catch a train! Most studios are near a train station. But be aware of a few things:
    – The last train usually leaves between 11.30pm and midnight;
    – Be sure you know which exit to use to get to the venue. The stations sprawl across levels and kilometres underground, but exits are clearly signed in english and korean;
    – use a multi-use train pass (like a metpass – called Tmoney), and keep it charged up with money. The train is crazy cheap, and not having the right money on your card is a bit shameful, as the gate will lock, then sing a loud song of shame :D;
    – missed the last train? Catch a cab. It’s very cheap. But remember what your address is in Korean, as most drivers don’t speak english. I usually memorise my closest station’s name in Korean pronounciation then add the suffix ‘yeog’ which sounds a bit like ‘yo’. Btw, you don’t tip in Soul.

Are you a DJ who’d like to DJ in Seoul?
Ok, this isn’t something I know a huge amount about. I do DJ when I go to Seoul, but usually only at bigger events. When I’m there for regular nights, I just want to DANCE!
Because there’re so many venues, and so much competition for crowds, DJing is pretty serious in Seoul, and I’ve no doubt the usual competition, rivalry, and professional networking and manoeuvering goes on.
So if I were you, I wouldn’t just jump in and ‘ask’ for a set. Because of language barriers (if you don’t speak Korean) and Korean manners (people will try to avoid being rude or shaming you), it can be very difficult for people to say ‘no’. Your asking for a set, then pushing the point will upset local balances and really make you looke like a jerk. So don’t be a jerk and put organisers and managers in awkward situations.

tbc…

Seoul Fashion Report, final

Neutral tones and natural fibres are de rigueur for the chic in Seoul this season. Straw hats and bags, leather sandals. Loose smock dresses, wide-legged cotton trousers. This most urban of urban cities is embracing a pastoral aesthetic, and they won’t let a little rain (and the threat of transparency!) dissuade them.