why the black kids sit together

I was just watching this video ‘Why the Black Kids Still Sit Together’ feat. Beverly Daniel Tatum and thinking about how important it was to have critical mass of black dancers at Herrang this year in week 4.
There was a moment after the meeting when I was watching the OGs hanging out with the Frankie ambassador peeps, with teacher, dancers from all over the world. They were just hanging, talking, dancing a bit while staff tidied the hall for the dance, the DJ (me) set up for the gig, and the hall emptied out.

Watching these peeps of colour from all over the world hang out, I was struck by just how white Herrang is, and how there’s this insistence in the camp that we only listen to black music from no later than the 50s in common areas. No hip hop. No rap. No reggae. No modern rnb. None of the music that these young people listen to, own in their everyday lives.

And I thought, ‘This is some pretty fucked up shit. That white, middle class people are gate keepers for what counts as ‘legit’ black culture. And it’s the black culture that’s back there in another time, out of reach of these young people.’ And it makes me want to laugh as much as cry that the camp was stretching as far back as the 1600s to an ‘authentic’ black dance from Africa for classes, rather than just reaching out its hand to the kids who were right there in the camp, a living part – owners! – of black culture today.

That’s why the black kids sit together in the cafeteria, lindy hop.

[edit: these same points apply to why we need more women in DJing, why we need to queer it up in lindy hop, etc etc etc]

Leave a Reply

Your email address will not be published. Required fields are marked *