Nepalese food in Ashfield

Tonight a second Nepalese joint in Ashfield, and it was neat.
The first one, Mandap, the larger one we went to the other night, and had sent us a take away flyer, was pretty good. But we ate the Indian stuff from the menu because the Nepalese stuff didn’t look that exciting. An excellent biryani, but the saag gosht was just okish. But it was all pretty spicey and good with the chilli, which I like.

Tonight we went to Cafe Kathmandu, and I liked it. It’s in what was a fairly ordinary, if not downright dodgy ‘Italian’ cafe, and it has kept all the furniture, fittings and servery stuff. It’s a small place, only about eight tables inside, and two larger tables outside. As we arrived a couple of young blokes were carrying a carton of beer to the tables. Those tables are always full of a) Indian blokes, b) Chinese blokes or c) Nepalese blokes, all in their 20s, smoking and eating plate after plate of momo.

This is what the menus look like:
‘ordinary’ cafe food – big breakfasts, sandwiches, coffee, tea, etc – during the day
and
Nepalese food. For lunch and for dinner.
Nepalese menus are kind of cool because they’re usually a combination of Chinese dishes – noodles (chow mein especially), stir fries – and Indian dishes, as well as more specifically Nepalese food. Which makes sense, geographically and culturally.
I really like Nepalese vegetable dishes, so I hunt them down.

We shared a tali and a plate of chicken momo because we were a bit full. The tali was delicious – a cold veggie curry, a little pile of wilted spinach (perfectly cooked), a blackbean dahl and a bit of goat curry, all in little pots next to a nice pile of perfect rice (white, absorption-cooked medium grain). The momo were largeish, very fresh and super tasty – chicken with coriander and shallots and things. Dave had a mango lassi that tasted pre-mixed and was a bit sweet for me. But I don’t like lassi, usually.

In retrospect, I wish we’d had the Khaja set, as it had a heap of delicious looking potato dishes and things.

The owner was a casual and friendly middle aged woman who, while she had to delay in serving us called out ‘just be a minute!’ and kept us informed of her progress. She was helped by a younger bloke was who was equally friendly.

While we were there (about an hour, tops) they shipped plate after plate of momo out to the young blokes outside, and three other tables worth of diners trooped in and out for quick, casual meals. Including one middle aged Singaporean woman and her Anglo-Australian husband. She was my favourite, obviously having her first Nepalese meal and determined to taste everything and engage the owner in conversation about the food, asking lots of questions and inquiring about the different speciality Nepalese dishes.

This is what I liked about it:

  • Cheap;
  • Freshly cooked;
  • Simple;
  • Delicious;
  • The veggie dishes (my favourite part) were fresh and nice;
  • The people working there were friendly and nice.
  • The original cafe features were still in use, and it was a practical combination of ‘cafe’ and Nepalese food.

    I also like the Malaysian joint in Ashfield for some of these things. That place has been set up in a classic ‘fish and chip’ joint near the station. They’ve even left all the signage and menus in place. Except now there’re ‘Malaysian food’ and ‘Australian food’ menus chalked in. There are tables (just a few) set up, with the usual pots of copsticks, sauces and so on on the tables. The chef chats with the punters and you’re very welcome to join in.

    I like these places, I like the way they move into smaller venues which embodied the anglo/euro history and diet of Ashfield and adapt them to suit the new dietry and cultural needs of the community. Small sites, working on a very tight budget with small staff, specialising in a particular cuisine for the local ex-pat communities, but in the sort of welcoming multicultural way that really illustrates Ashfield today. This is one of the things I like most about Ashfield.

Women’s History Month: Esther Washington!

Whitey’s Lindy Hopper of awesome!

Second couple in this scene from the 1947 film Boy! What a Girl!:


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At 3.00 dancing at the Savoy with Leon James (from 1950 Mura Dehn docoSpirit Moves):

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In a whole series of sequences from Spirit Moves, wearing a shiny skirt and strapless shirt:

  • at 2.00 doing the California routine
  • at 4.16 doing the Big Apple routine

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[Thanks again to Peter Loggins for helping me figure out who’s who in the clips, AND for suggesting Esther!]

Women’s History Month: Pearl Primus!

I know very little about Pearl Primus, but I’ve been fascinated by this photo since I found it on the Google Life photo collection (you can see more photos here.
She’s not a ‘jazz dancer’ in the strictest sense – she probably fits a little more comfortably into the concert dance or even ballet basket. But she was very much an activist, with a passion for African and African American dance, and she was definitely active as a dancer, performer and choreographer during the 1930s and 40s.

I did a bit of googling and came up with very few actual videos of her dancing on youtube, but I did find this little doco about her that only fuelled my interest:

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Then I found this video of her dancing, which isn’t too great – you can’t really see what she’s doing, and I’m not sure it really does her work justice.

NB that first photo is from a series called ‘Jam Session’ by Gjon Mili in the Life Magazine collection on google, which features many other amazing pics.

Gjon Mili is interesting because he directed ‘Blues for Greasy’ jam session film which starred:
Harry ‘Sweets’ Edison: trumpet
Lester Young: Tenor Sax
Flip Phillips: Tenor Sax
Bill Harris: Trombone
Hank Jones: Piano
Ray Brown: Bass
Buddy Rich: Drums
Ella Fitzgerald: Vocals

Mili worked with Norman Granz on this film, and Granz owned the Verve record label as well as organising the Jazz At The Philarmonic concerts and being hardcore anti-segregation.

Women’s History Month: Ann Johnson!

Member of the Whitey’s Lindy Hoppers, Ann Johnson was seriously badass (you can see her undies – and hardcore leg muscles – here. She and her partner (Billy Williams) are the first onto the floor in the jitterbug contest section of the ‘Keep Punchin” short (at about 3.08 in this clip):

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She and her partner (Frankie Manning) are the fourth couple in the Hellzapoppin’ sequence (at about 3:59 in this clip):

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Props to Bobby White for listing all the dancers in his post on iconic dance clips. There are lots of women dancers that I really want to list, but who aren’t identified in the footage!

Edit: I’m going to try to add all the clips featuring a dancer I can find to each of these posts. Try.

“Jitterbug History” features the Whitey’s Lindy Hoppers from 2.01, and Ann Johnson (with Frankie Manning) is the third couple (thanks to Bobby again for the cast list.

Women’s History Month: Katherine Dunham!

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Dunham was a dancer, but also a choreographer, and I think I want to give some concert dance choreographers of the 1920s, 30s and 40s and 50s a bit of space as well.
Dunham’s piece ‘Barrelhouse Blues’ is really interesting. I think it gives me a place to start thinking about ‘blues dancing’ performances in historical context – this piece was a response to (and incorporates) the vernacular dance of the period, rather than an ‘accurate’ ‘depiction’ of vernacular dance.
It’s the second piece in this clip, but I want to include the first piece ‘Ostrich’ because it’s so amazing, and really positions Dunham within the context of other choreographers and dancers of this period who were exploring African dance within an African American context. Also, because ‘Ostrich’ is AMAZING.


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Here’s a documentary about ‘Barrelhouse Blues’ which discusses Dunham’s work in a bit of details, plus has some footage from a 30s performance of the piece:


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And here are some Life Magazine photos of Dunham, just because.

Women’s History Month: Wilda Crawford!

Extreme awesome lindy hopper from Whitey’s Lindy Hoppers! You can see her in clips like the Keep Punchin Big Apple and Jitterbug Contest, but I can’t pick her – can you?
…btw, her inestimable partner was Thomas ‘Tops’ Lee.

Tranky do!

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Lindy hop! OMG!

[Special thanks to Peter Loggins for identifying Wilda!]

International Women’s Day! Sugar Sullivan!

Happy International Women’s Day!
Women’s History Month: Sugar Sullivan!

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Today, a woman who particularly inspires/inspired me!

I was in this class with Sugar and Peter, and one morning early in the week Sugar self-corrected describing the leads as ‘he’ with the comment: “because these days girls lead too, and that’s alright!” I led in most of my classes that week, and she was one of the few teachers I’ve _ever_ had who’s been so encouraging of women leads.

Oh, and she was also badass that week with the First Stops routine

…and of course, years ago!.