My mum got me a few great CDs when she was in Washington (DC, that is). She went to about a million Smithsonian museums, and gotted me some great CDS. Just in case you didn’t know, the Smithsonian collection includes some freaking amazing recordings of American folk music (including jazz, blues, gospels, spirituals, etc etc etc). I am a big old nerd for late 19th and early 20th century American music. I prefer jazz and blues, but I’m also a nut for some of the sort of music you might have heard on the Cohen Brothers’ film O brother, where art thou?. Anyhow, one of the CDs mum got me is called VA/Classic Southern Gospel From Smithsonian Folkways. I know my grammar is broken, but I am suddenly very tired.
Any how, I have moved on from Leadbelly (which was another mum gotted CD, btw) to this stuff. Beginning with The Lilly Brothers singing ‘Sinner, you’d better get ready’. Sweet. I like this sort of southern gospel/bluegrass type stuff for the obvious development of British/European folk forms. I’m a nerd for being able to hear the history of a music/see the history of a dance in its current form. Especially when we’re talking about diaspora. I likes folk music and dance because they change – they’re not institutionalised and static. They’re constantly changing to suit people’s needs and interests. Just like language. Fully sick.
(If you’re interested, mum also got me a couple of Harlem Hamfats CDs: a document self titled job (vol 3) and Let’s Get Drunk and Truck. I love that shit).
