Category Archives: djing

I scored with two bits of music for christmas.
First, a friend’s band’s album: the Solomon Douglas Swingtet‘s album Swingmatism from The Squeeze’s mother, and second, The Basie Mosaic set from The Squeeze.
Both are, of course, really fricking great. It’s unfortunate, though, that Sol’s album arrived with the Basie one – they’re working (in a very general way) in the same sort of style* as the new testament Basie on the Mosaic set, and really, it’s cruel to set the two head to head. Basie wins, of course.
But Sol’s album really is very good – if this band was playing regularly in my city I’d be a very happy lindy hopper indeed. They’re certainly better than the B# Big Band who are the closest thing Melbourne has in comparison, and I prefer them to the JW Swing Orchestra, who are our other major swinging big band (there are others, but these are the only dancer-oriented/dancer-trained bands).
For lindy hoppers, this album is definitely worth the cash**.
…I’m try to write an even partially coherent discussion of this album, but I’m feeling a bit scatty.
Actually, my feelings about this album are mixed. Firstly, I really appreciate it as a present – it was a very thoughtful gift, and definitely something I really like. Well chosen, mother of The Squeeze (and Squeeze).
Secondly, as a general into-music type person, I like it very much. I like to support current day swinging bands, especially ones like Sol’s, where the band is led by a dancer, and tailors its sets specifically for dancers. I can also really appreciate this album as a dancer – this is some fun shit.
Thirdly, as a DJ, this is some good stuff. The version of the Big Apple Contest is a bit of a score, and there are some really nice songs on the album.
But, fourthly, as a picky, DJ nerd wench, I’m not sure this is my cup of tea. It’s a little hi-fi/new testament for my liking (though I MUST admit that it wanders through a fair old range of musical territory – there’s a nice version of Black and Tan Fantasy, for example), and I’m not sure how often I’d play this for my own pleasure at home. I do, however, really really like songs like Funky Blues – it feels like this is where it’s at.
As a picky DJ, I’m wondering when I’d play many of these songs. I’m not sure I’d choose this version of Shiny Stockings, for example, when there are so many wonderful versions by people like Basie, which really are fabulous. I’d definitely spin that version of the Big Apple song, though, and I might play a few of the other tracks to win over a few of the groover/US-favouring dancers in our scene. But I’m not sure if I’d play things from it if I was compiling my ideal set. Having said that, when do we ever get to play our ‘ideal’ sets?
So, thinking sensibly, this is one of those albums (like Mora’s Modern Rhythmists’) which is great for getting the pickier hi-fi dancers interested in proper swing-era bands: this is some shit-hot recreationist work. I’d put this CD on my sneak list. Which, of course, makes this a very useful album indeed.This is a band we should support by buying the album, as these guys are the bread and butter of swing dancing – without wonderful live bands who put such effort into their live sets and recordings, many local scenes would founder in their early days, and we’d really miss this sort of superior big band action at our big balls and major events.
I do regret the fact that I’ve been listening to this with the Basie set at the same time. There simply is no comparison. Which is a shame, as I do think Sol has done fabulous work, and I don’t doubt the band live are frickin awesome.
The other CD I scored was the fabulous 8-CD Mosaic set. The Squeeze is the sneakiest beast on earth. In town doing our christmas shopping the other week, he suggested popping in to Basement Discs (where I’d seen this set) for a bit of browsing. I poo-pooed the idea in favour of goal-oriented shopping. He later (or had already – I’m not sure which) popped in to pick this up himself. And I scored big time.
This is one fabulous collection of new testament Basie action. There are some fricking awesome versions of lindy hopping favourites (including another version of Jive at Five for my collection), all in fantastic quality. I’m not the hugest late testament Basie fan, but this is such a great, solid collection of the dood’s work in the 1950s, I’m really very happy to have it. This was a period where Basie had some pretty shit-hot musicians on hand, working a band who were really cooking together. I can’t get over the quality. Though most of this later Basie stuff is pretty good quality, this is a really, really nice collection.
As I’ve already said, it’s a shame I first heard Sol’s band in such close proximity to this set.
But I do think that the two are complementary and definitely very nice additions to any lindy hopper (let alone DJ)’s collection. The Basie set is, however, a massive luxury, and Sol’s CD is far more accessible and practical for small-time collectors.
At the end of the day, I’m very very happy with these two presents – I couldn’t have asked for anything better…. though this Basie set has me hankering for the Peggy Lee set, which I do not need!
*As in they’re hi-fi, have a kind of late testament sound, etc.
**Incidentally, when I asked The Squeeze if I could use his paypal account to buy this album the other day, he declared “no way – I’m not wasting paypal dollars on that guy’s band”, and then immediately sneaked off to coordinate its purchase with his mother. This album is, of course, very Squeeze like, and he does actually think it was worth spending paypal dollars on this album. Even if they were his mother’s paypal dollars.