How not to write a review, or anything really.

This review of Pokey Lafarge’s show in the SMH is the worst review ever written by anyone about anything. It’s completely useless, and doesn’t offer any helpful information about the band or the gig.

The first three paragraphs are poorly written rambling messes using every cliche ever (and inaccurate when it comes to Lafarge’s music and influences). The descriptions of the band’s clothing are strangely devoid of awareness of what’s chic atm. This is the most interesting part of this band – they’re perfectly positioned to cash in on the popularity of this ‘retro’ fashion vibe while still being ‘true’ to their own style.

Nor is this band hardcore recreationist, as the review suggests. They play and perform in a decidedly modern way, with modern twists on traditional folk songs and hits. And Pokey’s new album is perhaps even less ‘recreationist’ than the earlier ones. Their vibe reminds me a lot of what St Louis friends tell me about their city: a sort of creative tension between history and change.

This was a professional, well-choreographed show with a really well planned set of music that works the energy room very powerfully. The musicians are all well-seasoned, most of them involved in other popular and professional bands and acts. The merch, website, and PR for Pokey Lafarge is really impressive, they play ‘proper’ venues, and this band isn’t by any means a ‘small’ or hokey old time act any more (if it ever was).

This is what makes the Pokey Lafarge band so much fun to see live: they combine old school influences with an exciting contemporary edge. Feels old, but isn’t.

[addendum:] I’d add, that while CW Stoneking (who the author compares this act to) is actually dead serious about what he does (and a super odd person), Pokey and his band do this show with a wink and a nod. They understand that this _is_ a performance, and that playing these old timey roles requires a bit of self-reflexivity. [/]

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